what you get here

This is not a blog which opines on current events. It rather uses incidents, books (old and new), links and papers to muse about our social endeavours.
So old posts are as good as new! And lots of useful links!

The Bucegi mountains - the range I see from the front balcony of my mountain house - are almost 120 kms from Bucharest and cannot normally be seen from the capital but some extraordinary weather conditions allowed this pic to be taken from the top of the Intercontinental Hotel in late Feb 2020
Showing posts with label Germany. Show all posts
Showing posts with label Germany. Show all posts

Saturday, September 4, 2021

Evoking Zeitgeist

One of the most difficult challenges for any writer is to try to evoke the spirit of a nation - in a balanced but insightful way. Chauvinism comes all too easily - be it of the American, English, French or even Scots variety.

But summoning up the soul of a country with appropriate text is a much greater challenge – and may well be best done by an outsider who knows the country well…Think Madame de Stael and Germany; de Tocqueville and the USA  

This train of thought is sparked off by my reading – almost in one go – a delightful book called “The Story of Scottish Art” – explored in this nice video. The author is himself a painter and uses a lot of examples (carvings as well as paintings) to illustrate the text - as well as his own water-colours. The book is based on a BBC series.

One of the things which endeared the book to me was the way he skilfully wove together aspects of the painters’ lives with developments in the nation. 

Painting is a good “handle” on a country – but it’s rarely used. Peter Robb’s Midnight in Sicily gives a “food and Mafia” take on that country; and Simon Winder’s “Germania” and Neil McGregor’s “Germany; memories of a nation” cultural takes on Germany – but skate over painting.

In 2007, I found myself leading a project in Sofia, Bulgaria and quickly became so taken with the paintings – particularly from the interwar period - I came across in its fascinating small galleries that I started to collect them. Naturally I wanted to know something about the artists – and found myself traipsing into antiquarian bookshops in search of information. The result was initially a small book of 50 pages – and, by 2015 or so, a larger one of 250 pages Bulgarian Realists – getting to know Bulgaria through its Art

This particular book started its life quite literally as a scribbled list on the back of an envelope - of painters whom a gallery friend thought I should know about in 2008 or thereabouts…..

It eventually became a list of 250 or so Bulgarian artists of the “realist” style which I developed to help me (and visitors) learn more about the richness of the work (and lives) of artists who are now, for the most part, long dead and often forgotten. 

But it also got me wondering about who is best placed to try to evoke the spirit of a nation….Social historians? Anthropologists? Artists? 

Some of you may know the author Nassim Nicholas Taleb whose book The Black Swan became a best-seller a few years ago. In it he makes a profound point about the process by which artistic “genius” is recognised (or not – the latter being more often the case). More than four centuries ago, the English essayist Francis Bacon had a very simple intuition….about a man who, upon being shown the pictures of those worshippers who paid their vows then subsequently escaped shipwreck, wondered where were the pictures of those who happened to drown after their vowsThe lack of effectiveness of their prayers did not seem to be taken into account by the supporters of the handy rewards of religious practice. “And such is the way of all superstition, whether in astrology, dreams, omens, divine judgments, or the like”, he wrote in his Novum Organum, written in 1620.

This is a potent insight: the drowned worshippers, being dead, do not advertise their experiences. They are invisible and will be missed by the casual observer who will be led to believe in miracles.

Not just in miracles, as Taleb goes onto argue…..it is also the process which decides whether an artist is remembered. For every artist of genius, there have been many more with the same talent but whose profile, somehow, was submerged….

Art, of course, is the subject of high fashion – reputations ebb and flow…..we are vaguely aware of this…but it is money that speaks in the art “market” and it is the din of the cash register to which the ears of most art critics and dealers are attuned…… 

As I read Lachlan Goudie’s little vignettes of painters in “The Story of Scottish Art”, I realised that painters have always occupied an important position in social networks – often poor themselves, they rub shoulders with a wider range of people than most of us. In the early days, of course, they would focus on religious figures and then society people. But from the mid 19th Century, artists such as David Wilkie were able to celebrate ordinary folk in their paintings.

Nowadays, of course, we rarely see faces any more in paintings – just blobs and abstractions. Perhaps our artists are telling us something?

But my question is, I think, a good one – who is best placed to gives us insights into a country’s soul? Poets? Writers? Painters? Anthropologists? Historians? Social historians? Travel writers? Sociologists? Or who? 

Further Reading

Watching the English by anthropologist Kate Fox is one of my favourites – for that country.

Theodor Zeldin is probably the best on the French.

Perry Anderson’s article A New Germany? offers a great intellectual and political history of contemporary Germany. But otherwise, it’s not easy to find a serious book about modern Germany (although many good -histories) Gordon Craig’s magnificent “The Germans” came out in 1982 and John Ardagh’s “Germany and the Germans” in 1987 – since then there has be no real update to their insights into the German soul - Gitty Sereny’s “The German Trauma – experiences and reflections 1938-2001 and Fritz Stern ‘s “Five Germanies I have known” (2007) notwithstanding

On Italy, people are spoiled for choice – not just Barzini’s classic “The Italians” (1964) but Foot, Gilmour, Ginsborg, Hooper, Jones and Parks all giving a sense of the modern Italians….You pays your money….

The background to social history is laid out in this article

7 social historians lay their claims here

A book on The anthropology of Ireland demonstrates its possibilities

And the others?

Monday, September 14, 2020

Links I Liked

 1. Heads or Hands?

It’s interesting that we should get 2 new books in a single month challenging one of the basic principles of our times – namely meritocracy.

That they should appear just as we began to notice the paradox of the “essential workers” (nurses, dustbin-men) earning a pittance whilst the “symbolic analysts” (in Reich’s famous phrase) sit on their backsides and rake in millions is nothing short of prescient.  

The Tyranny of Merit – what’s become of the common good? is philosopher Michael Sandel’s attack on the principle which, he argues, has led to hubris amongst the victors and humiliation amongst the losers. In 2009 Sandel delivered the prestigious BBC Reith Lecture for that year – on “Markets and Morals

 David Goodhart is unlikely to receive such an invitation (although under the present Johnson government anything is possible). His work is too challenging – if not distasteful - for well-endowed liberal cosmopolitans. He does, however, have my respectful attention.   

In his just-published Head, Hand, Heart – the struggle for dignity and status in the 21st Century, Goodhart dares to question the emphasis on the importance of university education which became such a shibboleth in the 1970s….- unlike the more sensible Germany….who have always prized and honoured practical skills and had a strong vocational training tradition.

 2. Germany as Exemplar?

I have this past week been working on an article about the Sofia street protests for a guest post the first part of which will appear tomorrow (Tuesday) on Boffy’s Blog - and then on this one.

The article asks what progress central and eastern Europe has or has not made in the past 30 years…starting with a quote from a famous little book “Reflections on the Revolution in Europe” written in 1990 by the anglo-german academic and liberal statesman, Ralf Dahrendorf – to the effect that the development of effective civil society would take 2 generations (viz 50 years)    

 Dahrendorf was a brilliant Anglo-German intellectual who, more than 30 years before his “Revolution in Europe”, had written a revisionist take on “Class and Class Conflict in Industrial Society” (1959 Eng trans) with which I was very taken just as I was starting my political sociology course.

A few years later he wrote a highly provocative analysis of his country - Society and Democracy in Germany (1967 Eng trans) – which argued that Germany could only then be called a “modern” society…..Nazism had at last broken the deference to authority which had until then been the country’s defining feature - this a mere 2 decades after Germany’s “Stunde Null”. The book caused quite a controversy both within and outside Germany. Geoffrey Eley was one British historian who disputed the analysis and went on to write an entire book about The Peculiarities of German History (1984)

 I’m reminded of all this by the release of yet another book about Germany - Why the Germans do it better – notes from a grown-up country

In the 1960s it was France and its planning system that many of us admired….it took another decade before we realised that the German Federal and training systems and worker representation on Boards were healthy features worth studying more closely.

It’s difficult to remember that the UK was the object of universal admiration if not envy – whereas it is now seen as a bit of a Banana Republic. Just look at the latest post on Chris Gray’s Brexit Blog – the descent into political insanity

I suppose one lesson is that all fortunes fall and rise – no one should ever give up hope on their country?

 3. Political Hubris – why we need to think seriously of Democracy by Lot

The idea of Citizen Assemblies has always impressed me – this article gives some recent examples.

It was Robert Michels’ Political Parties – a sociological study of the oligarchic tendencies of modern democracy (1911) which had alerted me in the 1960s to the insidious slide of political leadership - and made me so sympathetic to the German Greens attempts to control its leadership.  

 Pat Chalmers is one person with a vision of a different way of doing things. Author of Fraudcast News – how bad journalism supports our bogus democracies he has been campaigning for Democracy by Lot for some years.

After the recent UK and US experience of political leadership – which has allowed so-called leaders to run amok, I am at last persuaded that we do need to look seriously at this idea. We could start with this article….  

Thursday, November 1, 2018

Plus Ca Change,,,,plus c’est la meme chose???

European countries have experienced massive changes since the end of the war – and yet, I keep on wondering, .”to what extent do national characteristics actually change”. The interview with Dorel Sandor does not seem to have attracted much notice in the country but, for me, has crystallised the various impressions about Romania I’ve conveyed in the blog in recent years
Let me summarise his key points -
- the so-called “revolution” of 1989 was nothing of the sort – just a takeover by the old-guard masquerading in the costumes of the market economy and democracy
- which, after 30 years, has incubated a new anomie – with the “mass” and “social” media dominating people’s minds
- So-called “European integration” has destroyed Romanian agriculture and industry - and drained the country of 4 million talented young Romanians
- After 30 years, there is not a single part of the system – economic, political, religious, cultural, voluntary – which offers any real prospect of positive change
- Even Brussels seems to have written the country off
- The country is locked into a paralysis of suspicion, distrust, consumerism, apathy, anomie
- No one is calling for a new start – let alone demonstrating the potential for realistic alliances

My last 2 posts have argued that -

- in the early 90s everyone (particularly outside Romania) expected too much – although remember that Ralf Dahrendorf - unique in his experience as both a German and British politician and one of the first academics in the 50s to explore the nature of the social changes which took place in Germany in the first half of the 20th century (Society and Democracy in Germany) - had warned in 1990 that real cultural change would take “two generations”. For middle class academics, this meant 50 years!
- Absolutely no preparations existed in 1989 for the possibility that communism might collapse and for the choices this would present for political, economic and legal systems …..Everyone had assumed that the change would be in the opposite direction. The only writings which could be drawn were those about the south American, Portugese and Spanish transition ….
- The EC stopped treating Romania as in need of “developmental assistance” in 1998/99. The PHARE programme was phased out - the focus shifted to training for EU membership and the implementation of the Acquis (using the TAIEX programme). Talk of differences in political culture was seen as politically incorrect – eastern countries simply had to learn the language and habits of the European social market and, hey-presto, things would magically change……
- 30 years on, the names of Bulgarian and Romanian institutions and processes may have changed but not the fundamental reality – with a corruption which is nothing less than systemic.
- The billions of Euros allocated to Romania since 2007 under the EC’s Structural Funds programmes have compounded the systemic and moral corruption which affects all sectors.
- The Cooperation and Verification Mechanism is, after 11 years, deeply resented – despite the increasingly clear evidence of the collusion between the Prosecution and the Secret services…..

The Italian and German examples
In 1958 Ed Banfield coined the phrase “amoral familism” to characterize southern Italy and its resistance to change. In 1993 Robert Putnam extended this critique with his Making Democracy Work – civic traditions in modern Italy – pointing out that, centuries later, cultural patterns in the south still profoundly affected modern institutions …. The Italian system since then has demonstrated little capacity for change. What appeared to be a new opening in the 1990s disappointed….the old systems simply resurfaced

Germany’s traditional power structure, on the other hand, was able to change after 1945… The Weimar Republic failed to break it – but simply gave a Nazi regime the opportunity to let loose a blood-letting from which the world has not yet recovered. Three forces were required to transform German society in 1945-50 - the trauma of defeat on all fronts; the imposition by the victors of completely new institutional, legal, social and economic systems; and the Realpolitik calculations of the Cold War
Romania, however, has been able to brush off the institutional challenge which had been posed by membership of both the EC and NATO (see). The occasional scandal can and does cause the downfall of a government - but nothing now seems able to disturb its systemic inertia.

Conclusion
It has given me no pleasure to draft this post. But I feel that too many people for too long have not spoken out….In 2 months Romania will take over the Presidency of the EU which will see the full panoply(a)y of mutual sycophancy at full throttle……making it even more difficult for dissenting voices to be heard…
Dorel Sandor was least convincing when he tried to offer a way forward 
I have a list of what to do – starting with the need for an exploration of what sort of Romania we should be aiming for in the next few decades. Such a process would be moderated by professionals using proper diagnostics, scenario thinking and milestones.
It would be managed by a group with a vision emancipated from the toxic present.  

I have a lot of sympathy for such approaches – embodied, for example, in the Future Search method. It’s how I started my own political journey in 1971 – with an annual conference in a shipbuilding town facing the decline of the trade on which it had depended for so long….But any venture would have to demonstrate that it can deal with the astonishing level of distrust of others shown by the fact that, in 2014, only 7% of the Romanian population could say that “most people can be trusted” (compared with about 20% in Italy and 40% in Germany)
For my money Social Trust is one of the fundamental elements of the soil in which democracy grows. From the start of the transition Romania was caught up in a global neo-liberalism tsunami which has been corroding that soil….


A Short Reading List on Romanian political culture

Articles
RGY posts
Impervious Power (Jan 2017)

Academic articles on political culture - and Romania

A Guide to Change and change management for Rule of Law practitioners (2015)
Fatalistic political cultures” Alina Mungiu-Pippidi 2006 (chapter in Democracy and Political Culture in East Europe in which she argued (a) that it was too easy for people (not least the political elite themselves!) to use the writings of Samuel Huntington to write off countries such as Romania; and (b) that we really did need to look more closely at what various surveys (such as The World Values Survey) showed before jumping to conclusions

books
In Europe’s Shadow – two cold wars and a thirty-year journey through Romania and beyond; Robert Kaplan (2016) - a fascinating book which has an element of the “Common Book” tradition about it with its breadth of reading
A Concise History of Romania; Keith Hitchins (2014) Very readable..
Mapping Romania - notes on an unfinished journey; Ronald Young (2014) See section 7.2 at page 31 and all the annexes for the political culture references
Romania – borderland of Europe; Lucian Boia (2001) Very readable and well translated

Saturday, August 1, 2015

Schuld

I’m conscious that my big readers these past few weeks have been from Russian servers – although I’m not sure if they are from heartland Russia or, perhaps, from places like Azerbaijan, Kyrgyzstan and Uzbekistan where I lived for 7 years – ie friends who happen to have Russian servers…….
So far they don’t seem to have been turned off by my recent posts on German subjects – so let me pursue the thoughts aroused by the latest book I have been reading these last few days…….
  
Gunther Grass - writer, artist (not least gastronomic) and political activist – was a larger than life German who died last April at the age of 87. I was never a fan of his novels (I preferred Heinrich Boll) - although I did appreciate his social activism (so typical of the post-war German generation).
I found a lovely English first edition of his autobiography – “Peeling the Onion” – in Sofia’s great second-hand bookshop (The Elephant) a few months ago and was bowled over when I eventually got round to reading it. It’s not just that it charts so powerfully the trajectory of an intelligent youngster (from an area which is now in Poland) facing the monstrosities of the times – but the sheer poetry……….
It apparently caused a sensation in Germany  a decade ago when it revealed that he had been in a youth SS group for the last year of the war – something which he had carefully hidden until the last phase of his life……

But Timothy Garten Ash, the indefatigable chronicler of the 1980s central European spirit of revolution, was able to rise above that furore in the NYRB review (in the year of its English translation) entitled The Road from Danzig 
this is a wonderful book, a return to classic Grass territory and style, after long years of disappointing, wooden, and sometimes insufferably hectoring works from his tireless pen, and a perfect pendant to his great “Danzig trilogy” of novels, starting with The Tin Drum.
An account of his life from the outbreak of the Second World War in September 1939, when as an eleven-year-old war-enthusiast he collected fragments of shrapnel from the first fighting in his native Danzig, to the publication of The Tin Drum in 1959, “Peeling the Onion” repeatedly surprises, delights, and moves with passages of great descriptive power.
 He enables us not merely to see but to hear, touch, and smell life in the tiny, two-room apartment in Danzig where he grew up, with a shared lavatory on the staircase—“a stink-cell, the walls of which fingers had smeared.”1 From this suffocating narrowness the teenager longed to escape into what he saw as the romantic, heroic world of service in the Führer’s armed forces. So at the age of fifteen he volunteered to fight on a U-boat, but his offer was not accepted (although he was called up a year later to a SS brigade).

One of my favourite British blogs - That’s How the Light Gets In - picked up the story in a recent post 
What follows after this last admission (which stunned the world) is a brilliant evocation of scenes that the teenager  witnessed when his unit was taken to the collapsing front in Lower Silesia,  passing through a burning Dresden: 
Soldiers young and old, in Wermacht uniforms.  Hanging from trees still bare along the road, from linden trees in the marketplaces.  With cardboard signs on their chests branding them as cowards and subversive elements. […]Off to the side I see peasants working their fields, furrow after furrow, as if nothing were wrong.  One has a cow hitched to his plough,  Crows following the plough.Then I see more refugees, filling the streets in long processions: horse carts and overladen handcarts pushed and pulled by old women and adolescents; i see children clutching dolls, perched on suitcases and rope-bound bundles.  An old man is pulling a cart containing two lambs hoping to survive the war. 
His first encounter with the enemy comes with a ‘Stalin Organ’ rocket attack that leaves bodies strewn everywhere. Soon he is stranded behind enemy lines, in woods with Russians close by. Twigs crack underfoot – someone is nearby; a figure approaches and, terrified, the young Grass sings a German melody which is answered in kind.  
Grass the memoirist can now only identify the man who appeared, the man who became his guardian angel, who led him out of the woods, over the fields and across the Russian front line, as ‘the lance corporal’.  He had fought with the Polish campaign, in France and Greece, and as far afield as the Crimea. The lance corporal is his saviour, but then, in a Soviet tank attack, the lance corporal’s legs are ripped to bits. The last sight young Gunter has of him is of him being wheeled past from a battlefield operating room, his eyes wide open, amazed and unbelieving – a legless torso. 
Soon the Fuhrer is no more and Grass, having been transferred to a military hospital in Marienbad finds himself, a seventeen-year-old priapic youth, under the care of Finnish nurses. Hungry for sex, he is even more hungry for nourishment. Finally freed from the American POW camp at Bad Aibling, a displaced person in the British Occupied Zone, Grass found his first officially-registered residence as a free man in Cologne,
a pile of debris with an occasional miraculously-surviving street sign stuck to what was left of a façade, or hung on a pole sticking out of the rubble, which was also sprouting lush patches of dandelions about to blossom.
He scavenges ‘like a stray dog for food, a place to sleep, and – driven by that other hunger – skin on skin contact’. An encounter in the station waiting-room leads him to Hanover and his first job of work after the war is over: an encounter with ‘the eternal lance-corporal in his dyed Wermacht uniform’, his wooden leg stretched out in front of him, smoking a pipe filled with ‘an indefinable substance only distantly related to tobacco’.He looked as if he had survived not only the most recent war but also the Thirty Years’ War and Seven Years’ War: he was timeless. The veteran suggests Hanover where there is work underground in the potash mines.
There, Gunter finds work as a coupler boy, hooking up dumper wagons laden with potash to form underground trains.  It is there in the mine that, for the first time by his own account, he entered the world of politics, albeit still only as a teenage observer.  During breaks in the intensive work routine caused by regular power cuts, the older men would sit and argue politics – the Communists, the Nazi nostalgists, and the Social-Democrats: 
Even though I had trouble making sense of the issues that infuriated them so, I realized, coupler boy and idiot on the fringe, that when push came to shove the Communists inevitably teamed up with the Nazis to shout down the Social Democrat remainder. 
One Sunday morning Gunter’s locomotive driver took him into Hanover to hear the head of the Social Democratic Party, Kurt Schumacher, speak to an open-air audience of several thousand (mull over that number for a minute). No he didn’t speak, he screamed, the way all politicians … screamed. And yet the future Social Democrat and unflinching supporter of “ontheonehandandontheother” took to heart some of the words that the frail figure with the empty, fluttering sleeve thundered down to his ten thousand adherents in the blazing sun. 
Later, of course, Grass would be a supporter and speech-writer for Willy Brandt and his ‘policy of small steps’, and in “The Diary of a Snail” would prescribe ‘crawling shoes for the ills of progress. The snail’s track, not the fast track.  A long road paved with cobblestones of doubt.’

And, finally, to the NYRB review - 
Fear and hunger are the twin sensations that permeate these pages. His chapter about seeing action with the Waffen-SS is entitled “How I Learned Fear.”
His hunger is threefold. First, hunger for food, especially in American prisoner-of-war camps. Second, hunger for sex, described in a kind of lingering, amused physical detail that reminds me of the work of the English poet Craig Raine, whose poem “The Onion, Memory” anticipates Grass’s book-long metaphor. 
The object of Grass’s final hunger, after food and sex, is art. He calls his chapter about becoming an artist “The Third Hunger.” Battling his way, alone, with a strong will and professed egoism, up the physical and social rubble mountains of postwar Germany, he becomes first a stonemason and part-time sculptor, then a graphic artist, then a poet, and only at the end, in his late twenties, a writer of prose, inspired by Alfred Döblin’s Berlin Alexanderplatz and Joyce’s Ulysses, both discovered and devoured in the library of the well-heeled, cultivated Swiss parents of his first wife, Anna. “Anna’s dowry,” he calls it.
The memoir ends with his finding, in Paris, what would become one of the most famous first lines of any novel—“Granted: I am an inmate of a mental hospital.” And the rest is literature.

The Loss of German Identity?

In the post-war period academics were about the only British writers who tried to deal with Germany – and then only historians such as AJP Taylor and Richard Evans or political scientists such as Willie Patterson. John Ardagh was the exception with his large book on contemporary German society - Germany and the Germans - which came out in the early 1990s but was quickly out of print. Those wanting to read about Germany had to make do with books about the Nazi period or knock-abouts such as Ben Donald’s Springtime for Germany – or how I learned to love Lederhosen (2007) whose German edition ("Deutschland for Beginners") I found a good read when I picked it up in a remaindered pile for 1 euro a couple of years ago.

About five years ago, things began to change with Peter Watson’s monumental German Genius and Simon Winder’s rather eccentric Germania. Now a trickle has turned into a stream with serious books such as Germany - Memories of a Nation (focusing on cultural objects); Reluctant Meister - how Germany’s past is Shaping its European Future; and Germany - beyond the Enchanted Forest (a literary anthology) vying for space on the bookshelves. Last year a long book actually appeared with the title The Novel in German since 1990 (which is actually the only one of this new stream now to be wending its way to me)
And Berlin's new role as a tourist hotspot has produced a variety of tantalising books such as Cees Nooteboom’s Roads to Berlin (2012); Peter Schneider’s Berlin Now – the City after the Wall (2014);  and Rory McLean’s Berlin – Imagine a City (2014) – all of which await on my bookshelf for my attention

Curiously, however, still nothing on contemporary Germany to vie with John Ardagh’s book of 20 years ago!

These last few days, however, I have been devouring a large book which has just appeared - Death of a Nation; a new History of Germany - a delightful and enlightening read which I could hardly put down (despite the weight of its 700 pages). The provocative title gives a clue to the author’s approach – which focuses on the loss of German identity and lands since its heyday a century ago…..

This is a real history – whereas Watson and Winder concentrate on intellectual achievement and cultural monuments respectively. But it’s not your typical dry academic stuff! It’s highly committed and doesn’t pull punches – opening my eyes, for example, to the behavior of Czechs and Poles in the early part of the last century…..
And he really makes the history of the German lands (and key actors in both Germany and Europe) come alive in a way I have not experienced with other history books. Although I lived in Prague for more than a year in the early 90s, I never real understood the remnants I saw there of its German past (despite my 2 years of German studies at university)….Unusually for an historian he doesn’t hesitate to “contextualize” German brutalities by citing the extensive history of  massacres perpetrated by Belgian, British and Soviet authorities in Africa, Russia and Asia.

The author states clearly in his Preface his intention to 
" put in a much broader historical context the enormous human and cultural cost to Germany and German Austria of losing two world wars and the damage that has done to their sense of national identity"

This focus becomes clear in the second half of the book - which covers the fate not only of Jews but of the people who, in 2 World Wars, suddenly found themselves (by the massive border changes) living as minorities in foreign countries – a tale which has been ignored until recently in the huge literature of the second world war. As someone who has been living in central and eastern Europe for the past 25 years, I find this is an important and highly commendable objective and one rarely attempted by an outsider.
I have to confess, however, that my focus wavered in the section dealing with the death struggle of the Nazi regime (more than 100 pages after page 400). He had carried me with him until that point – and then lost me…too harrowing????

I will complete the reading and give a final assessment in a few days…….   

Friday, July 10, 2015

German Musings

Tourism is one of the biggest global industries and yet gives us few real opportunities to fathom the soul of a country – although a retired generation with time and education is now beginning to experience some of the treasures which Europe offers…..and can access books from such publishing houses as The Collected Traveler, The Intercultural Press and Cities of the Imagination which offer great cultural insights not only into countries but even to a few cities  
Readers will know that I recently started my own contribution to this genre when my daughters started to visit me in Romania and Bulgaria – see the list of E-books at the top-right of the blog…..

Now I want to announce a little one on……..Germany based mainly on posts I made during a 10 week stay in Koln in 2013. The booklet is called German Musings
I have been out of the UK for 25 years – spending about 2 years apiece living and working in about a dozen countries on projects designed to improve the capacity of their state institutions. I was in Bulgaria in early 2013 when I was diagnosed with prostate cancer and had to decide where to go for appropriate treatment.

But first I had to learn more about the condition and its treatment – which helped me understand that the surgical treatments which had become routine were now being questioned – not just because of their invasive nature but because there was every probability that the symptoms would reappear after a few years….
 
As an expat Brit I quickly ruled out that country – partly for the delays trying to go as a citizen without medical records would entail but also because the French and German health systems were performing better (in general terms) in the various international league tables (not least WHO). But I did want to go to a country whose language I spoke.
I narrowed the internet search to hospitals in those two countries which seemed to have a good record for treating prostate cancer and E-mailed off some queries….The French hospitals were quickly ruled out for two reasons –
-       Their focus seemed to be on surgery and I was determined to avoid that
-       They required bureaucratic paperwork which annoyed me

The West German Prostate Centre (Koln) simply asked me to send electronic copies of the diagnosis I had received and quickly gave a detailed commentary which persuaded me that this was the place to go. A few weeks later, on the first of May I touched down in Koln and remained there until mid-July – undergoing initially daily radiation treatment and then three minor operations…….

Time weighed - but Daniela and I were lucky in the choice of flat we had made – even although it involved a couple of moves….
We were in the outskirts - with great parks to walk in (the cemetery was our favourite); trams to ride; and bookshops to visit…..Unhappily. however, we found few people to talk with – apart from our last landlord……
When I eventually was able to connect with the internet, I started to blog and surf again (the habit had started in 2009) and that is what forms the core of this little offering….

I hardly mentioned Koln in the posts – let alone the treatment I was undergoing. This was rather an opportunity to sink into another culture – using the immediate environment as a trigger for questions and casual insights…… One of my delights, for example, was the open-air charity stall near my treatment which offered free second-books……..

I think you'll find the booklet an interesting read - and the annotated reading list is, I think, quite original.........

Tuesday, June 10, 2014

The German connection

Almost a month ago I had been so impressed by the opening story of a book devoted to stories of Anglo-German friendships and loves that I used it in a post I called “remembering”With all the work I’ve been doing on the little guide to Romania, it’s only now that I’ve finished what tuned out to be a fascinating book with the intriguing title - Noble Endeavours – the Life of Two Countries, England and Germany, in Many Stories by Miranda Seymour whose blog also gives background on some of their characters as well as explaining what brought her to write the book

I’ve reached the stage of my life when stories about individuals have become more important to me than narratives about historical events. Perhaps the book’s author focuses a tad much for contemporary tastes on the higher social echelons, but the stories she tells of Germans in England and Angles in Germany are nonetheless important – particularly with the appearance of German emigres after the abortive 1848 revolutions. But the most shocking stories appear at the end of the book when it reaches the 1930s and recounts how various Germans and Angles reacted to Hitler. For once the former are the goodies and the latter the baddies – with the various warnings being actively sidelined by the Foreign Office  – including those of British spies with excellent connections

And I was delighted to see Tisa Schulenburg appear in the story. Somewhere in Germany, in 1990, I happened to wander in from the street to an exhibition of wonderful sketches of coalminers. They turned out to be Durham miners in the 1930s and executed by "Tisa" Schulenburg - a very graceful lady in her 80s who was kind enough to chat with me and (a few weeks later) send me reproductions of her work and a couple of her books. I knew nothing about her and discovered her full story only later - as I recounted in a blogpost
"Tisa" Schulenburg's life was by any standard remarkable. Having grown up among the Prussian nobility and witnessed the trauma of Germany's defeat in the Great War, she frequented the salons of Weimar Berlin, shocked her family by marrying a Jewish divorce in the 1930s, fled Nazi Germany for England, worked as an artist with the Durham coal miners, and spent her later years in a convent in the Ruhr.Her experience of the darker moments of the 20th century was reflected in her sculpture and drawing, in which the subject of human suffering and hardship was a constant theme - whether in the form of Nazi terror or the back-breaking grind of manual labour at the coal face.
 When she heard that I was a politician from Strathclyde Region - with its mining traditions in Lanarkshire and Ayrshire - she presented me with a signed portfolio of her 1930s drawings of the NE English miners and their families (some embedded in text) for onward donation to the Scottish miners.She died more than a decade later at the age of 97 – having lived the most amazing life……

I have copies of them - from which these are selections
The two books she sent are the small "Meine Dunklen Brueder" - which recounts her stay in the North-East villages and contains many of the sketches; and the more substantial "Ich Hab's Gewagt - Bildhauerin und Ordensfrau - ein unkonventionelles Leben" - her autobiography which she has signed in large, clear script, with an address sticker for the St Ursula Convent in Dorsten where she was then living.

I prize the books - and will now work my way through her autobiography.....I notice that the second book had run into 8 editions by the time she sent it to me – with the last imprint being in 1990.

Thursday, May 15, 2014

Remembering

It was remiss of me not to have mentioned the exhibition of Otto Dix graphics now in its last few weeks at the Bucharest National Gallery (the side entrance near the English bookshop).
Dix is not a favourite painter of mine – but his graphics about the First World War are quite stunning.
I’ve also included – by way of comparison – one of the many sketches of Ilya Petrov I bought earlier this year in Sofia….

I was reminded because of opening a new book about Anglo-German Relations called ‘Noble Endeavours, the Life of Two Countries, England and Germany, in Many Stories’ which starts with a profile of one, Herbert Sulzbach whose life is described by the author in the following terms -
Herbert Sulzbach fought for Germany in the First World War and for Britain in the Second. His most challenging war began later. On November 11 1945, this quietly charming and slightly-built man succeeded in persuading the 4,000 Nazi PoWs with whom he had spent the past 11 months to stand alongside him, on Armistice Day, and pledge themselves to return home as good Europeans, “to take part in the reconciliation of all people and the maintenance of peace.”
Subsequently, working among the high-ranking SS officers imprisoned at Featherstone Park in Northumbria, Sulzbach ensured that these more hardened candidates also returned home with a clear understanding of how a liberal democracy should work.Sulzbach’s persuasive method — he made a point of imposing no form of censorship — proved remarkably effective. The 3,000 ex-prisoners who later wrote to thank him for his endeavours had little to gain at that point from their gratitude. One reformed PoW, Willi Brundert, went on to become a celebrated mayor of Frankfurt. Twenty-five of Sulzbach’s Nazi pupils would freely form a European branch of Featherstone. It was still going strong when Sulzbach died in 1985……. In 1948, Herbert Sulzbach publicly described the PoWs returning home as the best of envoys for future peace and understanding between Germany and England. Nearly 40 years later, he warned that “first, the old distrust must disappear”.The time has surely come to pay heed to Sulzbach’s words. Writing my book, Noble Endeavours, I was greatly struck by the spirit of forgiveness I encountered among people who had come to England as Kindertransport children. Born in Germany and now profoundly attached to England, all of them echoed Sulzbach’s wish for an end to the old distrust.
On the eve of a year of remembering the horrors that began in 1914, I hope that recalling the past won’t allow us to undo, or to neglect, the task of reconciliation for which so much was done by two heroic Jews. 

I'm glad to do my little bit in remembering not so much the two World Wars - but the few good people who have tried to do something positive with their lives................