a celebration of intellectual trespassing by a retired "social scientist" as he tries to make sense of the world..... Gillian Tett puts it rather nicely in her 2021 book “Anthro-Vision” - “We need lateral vision. That is what anthropology can impart: anthro-vision”.
what you get here
This is not a blog which opines on current events. It rather uses incidents, books (old and new), links and papers to muse about our social endeavours.
So old posts are as good as new! And lots of useful links!
The Bucegi mountains - the range I see from the front balcony of my mountain house - are almost 120 kms from Bucharest and cannot normally be seen from the capital but some extraordinary weather conditions allowed this pic to be taken from the top of the Intercontinental Hotel in late Feb 2020
Showing posts with label Angelushov. Show all posts
Showing posts with label Angelushov. Show all posts
Thursday, March 24, 2011
Romanian DNA
On the Severin scam (the Romanian MEP and ex-Foreign Minister who (with an Austrian and a Slovene) sold himself to the lobbyists and is the only one of the 3 caught not to have resigned) I have only two comments. First, as I spelled out last year, the Romanian political class is built on such financial transactions and the marvel is that only one Romanian MEP was caught. The second comment is that Romanian politicians never resign! It’s not in the DNA.
Back in mountains – the stuff I’m reading about cultures is in order to understand the difficulties I have here. I can’t stand what I see as aggression – and I pick up so much of it here. And that affects the signals I send – a lot fewer positive ones than normal. A vicious circle ensues. So I face the prospect of leaving the country. A nice flat beckons in Sofia……where I hope to get underway with the book I want to put together about Bulgarian artists. My next post will be about that. Today's sketch has nothing to do with the Severin story - I am limited to one image per post and wanted to give a sense of Boris Angelushov (1902-1966) who was in Berlin in the early 1920s and was clearly influenced by the revolutionary events taking place then and by the powerful graphics of Kathe Kollwitz.
A year ago, I was writing about the soul-lessness of modern work
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