He will doubtless be reading with his usual critical eye the
latest fat issue of Die Zeit whose special magazine today focuses on questions
such as What is the good life?
From the profusion of titles, I’ve developed a taste for the
much thinner and leftist daily - Die Tageszeitung whose sentence construction is
less convoluted than the heavies such as Der Spiegel which I have now
deserted for the easier Stern. Although Bavaria is a stronghold of the right, Die Suddeutsche Zeitung is an attractively packaged left-leaning daily with interesting content. Franfurte Allgemeine Zeitung is a rather boring conservative paper - and the Cologne titles are very superficial.
The diary of Brigitte Eicke, a Berlin teenager in World War II, is an account of cinema visits, first kisses, hairdos and dressmaking, along with a brief, untroubled reference to disappearing Jews. Recently published, it highlights the public indifference that paved the road to Auschwitz.
Hers is a perspective seldom glimpsed in Germany's World War II literature, a field in which the female voice took a while to be heard.
"In the 1950s and '60s, the focus was more on memories of battle and the male experience," says Arnulf Scriba, who coordinates a project at the German Historical Museum called "Collective Memory," an archive of personal testimonies. "The school had been bombed when we arrived this morning. Waltraud, Melitta and I went back to Gisela's and danced to gramophone records." (1 Feb 1944)
Young girls are made of stern stuff. In December 1942, while Allied bombs rained on Berlin and Nazi troops fought for control of Stalingrad, 15-year-old Brigitte Eicke began keeping a diary. For the next three years, the young office apprentice wrote in it every single day.
Now published in German as "Backfisch im Bombenkrieg" -- backfisch being an old-fashioned term for a girl on the cusp of womanhood -- it adds a new perspective to Germany's World War II experience and shows not only how mundane war can become but also how the majority of Germans were able to turn a blind eye to Nazi brutality.
Until relatively recently, accounts of Germans' own wartime suffering were considered something of a taboo, their own trauma eclipsed by the horror of the Holocaust. But now that the wartime generation is dying, every slice of first-hand social history has inherent value.
Another story focuses on the German Constitutional Court's current consideration of the legality of the ECB bond buying program known as
Outright Monetary Transactions (OMT).
The program, announced last autumn, envisions the ECB buying unlimited quantities of sovereign bonds from ailing euro-zone member states to hold down their borrowing costs. To date, the ECB has not made any bond purchases, but the mere announcement that it might has proven enough to calm the markets and provide European leaders with some to seek agreement on longer-term measures to solve the crisis.Open Europe has a blog on the issue
Even opponents of the program have acknowledged its success. The OMT "has been the most successful measure taken in saving the euro thus far," says Dietrich Murswiek, who represents co-claimant Peter Gauweiler, a member of parliament with Bavaria's Christian Social Union.
But despite its success, the OMT program is illegal, say the plaintiffs. "State financing, whether direct or indirect, is not allowed for the ECB," says one of their attorneys, Karl Albrecht Schachtschneider. And his complaint is far from fanciful -- it is difficult not to see the OMT program as state financing. In essence, the court is being asked to decide whether economic pragmatism trumps a strict interpretation of the law.
The painting is one of Hans Purrmann's - a glorious colourist I have just come across who was strongly influenced by Matisse - and whose paintings were banned by the Nazis.
