what you get here

This is not a blog which opines on current events. It rather uses incidents, books (old and new), links and papers to muse about our social endeavours.
So old posts are as good as new! And lots of useful links!

The Bucegi mountains - the range I see from the front balcony of my mountain house - are almost 120 kms from Bucharest and cannot normally be seen from the capital but some extraordinary weather conditions allowed this pic to be taken from the top of the Intercontinental Hotel in late Feb 2020
Showing posts with label Peter Berger. Show all posts
Showing posts with label Peter Berger. Show all posts

Sunday, January 12, 2020

Post-Modernism – an intellectual history

The matrix presented in the last post tells the same story as did the Indian parable of three millennia ago of the blind men who encounter an elephant

They have never come across an elephant before and learn and conceptualize what the elephant is like by touching it. Each blind man feels a different part of the elephant's body, but only one part, such as the side or the tusk. They then describe the elephant based on their limited experience and their descriptions of the elephant are different from each other. In some versions, they come to suspect that the other person is dishonest and they come to blows. 

The moral of the parable is that humans have a tendency to claim absolute truth based on their limited, subjective experience as they ignore other people's limited, subjective experiences which may be equally true

This seems to put post-modernism and its claims in its place – is it really all that new?
That’s the question which this post considers…

Some time ago I came across a reference to a short book written in 1944 which I had never heard of – The Abolition of Man – which seemed to anticipate the threat which the “anything goes” strand of post-modernism would bring (which I have taken to calling - the “whatever” response). It was penned by a very well-known figure of CS Lewis and is summarised here – the full version can actually be downloaded here.  
It seems that Lewis (father of Daniel D) took the threat so seriously that he wrote a dystopian novel about it – That Hideous Strength whose plot is summarised in great detail here; serialised here; and available (courtesy of Gutenberg) in entirety here

Rashomon was a famous Japanese film, made in 1950, which considered an event from four different perspectives – a few years before I learned this knack, operating as I have described elsewhere in the no-man’s land between classes, between different academic and professional fields and, from the age of 50, even between different countries.
And it was political scientist Graham Allison’s Essence of Decision – explaining the Cuban missile crisis (1971) which helped me appreciate the significance of what I had felt, in my youth, to be, quite simply, personal tensions.
That book set out three very different ways of understanding the events of October 1962 when the world stood on the edge of nuclear war (see the diagram at p23 of that link). His 1969 paper in the American Political Science Review rehearsed the basic argument – which outlines first a “rational model” of decision-making; then one based on “organisational behaviour”; and finally one based on “governmental politics”.

The clearest explanation of the phenomenon, however, is probably the earliest – American sociologist Peter Berger’s The social construction of reality (1966) whose significance I didn't recognise at the time
Frame analysis” – variously attributed to anthropologist Geoffrey Bateson (1972) and Erving Goffman (1974) – was the technical term given to the recognition of diverse and divergent perceptions of “reality” and one which I came across during a part-time course I was taking on policy analysis – actually the UK’s first such course in the mid 1980, run by Lewis Gunn. 
I can still remember the room I was in when we discussed the concept and the frisson experienced - although when I google the term, I can’t find a satisfactory article – all gibberish, associated with the field of communications studies.

But it was, probably, Gareth Morgan who popularised the notion that we could view organisational reality in many different ways. His Images of Organisation appeared in 1986 and pointed out that nine different metaphors (or “ways of seeing”) had developed about organisations eg as a “machine”, as a “brain”, as “cultures”, even as a “psychic prison”. And each of these have very real and distinctive effects on the way we think about organisations.
A drawing made the same point visually – see, for example, p 26 or so of Stephen Covey’s Seven Habits of really Effective People (1990) – some saw an old woman, others a young thing with a bonnet….

Like David Harvey in The Condition of Post-modernity – an enquiry into cultural change; (1989), I’m not sure when I first came across the expression “post-modern” to describe the age which has taken the celebration of diverse ways of looking at events to such extremes that “anything goes” and “fake news” flourishes.
Harvey is a geographer and better known for his exegesis of Marxism – and it’s only now I have come across this book of his on postmodernism which seems at first glance to be quite the best thing I know on the subject
Of course, the question everyone poses when the subject turns to postmodernism is – what was modernism? For which the best read is Marshall Berman’s All that is solid melts into air (1982) which was the subject of a famous exchange between Perry Anderson and the author in 1984 in the pages of the New Left Review 

Further reading
https://www.preceden.com/timelines/62885-postmodernism-timeline-1939-2001; The Preceden website is a very useful tool I didn’t know about – and this entry helps us understand PM
The Saturated Self – a collage of postmodern life; K Gergen (1991) A psychologist’s take on the matter
Self and modernity on trial – a reply to Gergen which contains a great summary of the book
One Dimensional Man; Herbert Marcuse (1964) which can be accessed here
Common cause (2010) a vivid example of how postmodernism now drives the marketing machine