Smart and slow Books?

I’ve begun to realise that the little Guide or briefing which I’ve been working on for the past few days (called, for the moment, "Encountering Romania") is rather unique with its various distinctive features -

• It focuses on the aspects of a country you normally find pushed to a few back pages of the conventional travel guides – literature, art and history
• It includes blogsites – 16 of them – with the hyperlinks and some excerpts    
• It gives a lot of hyperlinks to material about Romanian society and culture – for example 20 travelogues from the last couple of decades (that’s one a year); to lists of several hundred novels; to sites which will give data and examples of a couple of hundred Romanian painters; and to several photographic sites

The "Blue Guides" and Pallas Guides do offer cultural feasts - but don’t have the hyperlinks..  

A year or so ago I picked up in one of the second-hand bookshops in Bucharest some volumes of a 1960s "Collection Literaire" - French schoolbook texts by Lagarde and Michard. They cover most cultural forms and include excerpts and photos. Quite exquisite....but is there a modern equivalent?   

They used to be called Reference books. But in even their traditional (ie non web-based) form they were generally available only in the local language ie not for foreigners - or at least only for that minority of visitors who spoke the language fairly fluently.......

And what does one call this new format – with its “embedded hyperlinks”? 
“EBook with embedded links” is a bit of a mouthful! Also sounds a bit warlike! 

My first idea was “smart” book - but that seems to be a technical device like a tablet….

and this EC initiative doesn’t actually tell me very much.

I blogged a few months back about “slow books” – perhaps I should patent a product called “slow, smart books”????

Norman Lewis - the quiet explorer

I’m discovering that truth is stranger than fiction – or rather that (some) biographies can make for more gripping reading than novels. A few months ago, the book which stunned me was The Orientalist – in search of a man caught between east and west. This is the incredible tale of one Lev Nussimbaum - born into Baku and a world subsequently destroyed by Communism and Fascism and the ideologies of class and race. The book vividly describes the 'wild west', oil-rich city of Baku in the 1920s, the cabaret of Weimar Germany and a whole host of strange and eccentric characters: Viereck, the writer and Nazi sympathizer, Ernst 'Putzi' , Hitler's Harvard-educated press secretary, Baron Omar-Rolf, Erika Lowendahl, a Jazz-age poetess whom Lev marries, Varian Fry whose mission it is to save two hundred of Europe's top intellectuals and artists from the grip of the Nazis and Italo Balbo, founder of the Italian Air Force who sets up a futurist experiment in the deserts of Libya. Through one largely unknown man we learn so much about that lost world.

And these last few days I’ve been reading Semi-invisible Man – the life of Norman Lewis by Julian Evans. I have read enough of Norman Lewis to recognise that he was up there as one of the inspirations for the new breed of travel writers but had not properly appreciated his other writing – nor the sort of life he had, right until his 90s. Norman Lewis spent his life foraging around some of the world's most dangerous places, from civil-war Spain to remote corners of Asia and drug-ravaged Latin America. From all of them Lewis returned vividly-written accounts which found their way into more than 30 books and many pieces of inspired journalism. Some see Lewis as the equal of Ernest Hemingway and George Orwell. He was a superb reporter of the civilisations being crushed by modernity. After an arduous jaunt around Spain just before the civil war he produced Spanish Adventure . It was followed three years later by Sand And Sea In Arabia. The outbreak of war found Lewis in Cuba, where he left his wife and son (for their safety, he said) and returned to England to enlist. He found a slot in the Intelligence Corps which dispatched him to French North Africa and then to Italy, where he found the inspiration for Naples '44 (published in 1978), the book that many regard as his masterwork. It tells the story of people scraping a living in a half-ruined ancient city that had been overrun by conquering foreign armies.
After the war Lewis seems to have found his voice. For 30 years he travelled incessantly and published book after book. Among the better known: The Volcanoes Above Us (1957); A Small War Made To Order (1966); The Sicilian Specialist (1974); An Empire In The East (1993); In Sicily (2000). All this was interspersed with journalism for titles such as the New Yorker, the Sunday Times, the New Statesman and Granta. In most of his writing, he gave voice to the outrage which people like John Pilger have subsequently made a vocation.