Hanging Together???

Two things you wouldn’t pick up from media coverage of the Scottish referendum are that –

·         60% of UK public spending in Scotland is handled by the Scottish Government – devolved since 1999

·         A significantly additional amount is slated to be given to the Scottish Government – under powers granted in a Bill approved in 2012 which will, however, only be implemented if Scotland votes “No” in the referendum.

I had cleared today to look more deeply (as an ex-pat Scot) at the issues involved in the historical vote which will ‘take place in September. It must be one of the world’s most transparent and sustained dialogues – it’s been going on for 2 years since 2014 was first announced as the date. Slovakians were offered nothing similar 22 years ago and the recent Crimean vote was simply a farce.  

A new blog (for me) Notes from North Britain gave me a useful quotation -

The choice before us in September is not “independence versus the status quo”; “change versus no change”. A No vote is guaranteed to mean that devolution will change and develop. How do I know this? I know it because it’s already been legislated for, in the Scotland Act 2012. This Act, described at the time of its enactment by the then Secretary of State for Scotland as the largest transfer of fiscal powers within the United Kingdom in its history, will bring to Holyrood a substantial degree of fiscal devolution. These new powers — as long as Scotland votes No to independence — will come fully into force in 2015 and 2016. Now, this is not “jam tomorrow”, as Nationalists sometimes claim: it has already been legislated for. So the choice we face on 18 September is one between bringing devolution to an end (for there will be no devolution if Scotland becomes independent) and developing devolution further.

And I was then led to what are clearly 2 key texts – the first a statement from the Chairman of the Yes Campaign which bears the rather Boon and Mills’ title - We Belong Together. The second is a more academic approach which also sports a rather curious title “Hanging Together” . You will find the voluminous official Scottish Government White Paper arguing the case for independence in a previous blogpost.

My attention span, however, for such analyses is not what it once was - and I was quickly sidetracked by a visit to the second-hand Elephant English bookshop a few minutes away. In particular by a couple of books from the 1990s and 2000s about the Naples Bay area; and by Paul Theroux’s Ghost Train to the Eastern Star (2008) which has him revisit a heroic 5,000 km train journey he undertook in the 1970s......

So the various papers which the British Government have been publishing in the last year to help inform Scottish voters about the issues involved will have to wait until I return from my diversions. Those impatient to get on with things could have a look at this.

Drifting Apart

There’s less than 6 months to go to the referendum on Scottish independence. The wind is in the sails of those who want to cut loose from England…..a few months back those disposed to vote “Yes” to the question about independence  accounted for only a third of the electorate . Thanks to what is widely seen as bully tactics by those with political and financial power, those in favour of independence are now within a few points of those disposed to say no.

My father was Scottish; my mother English. I left Scotland 24 years ago but still strongly identify with the social democratic ethic of the nation (and it is – and always has been – a nation, with its own legal, religious and educational sovereignty). The different culture is evident from the fact that only one Conservative politician (out of 75) represents a Scottish seat in Westminster. And all Scots are increasingly alienated from a neoliberal Coalition Government which has been in power since 2010 in London. The Scottish Parliament and Government (Executive) which has been in power in Edinburgh since 1999 has differentiated itself strongly from that ideology – not least since the Scottish Nationalist gained an overall majority in 2007. But is this alienation a sufficient reason to cut off the ties with England which we’ve had since 1707?

As an ex-pat who has no vote (no residence) who follows the various discussion threads, I am amazed at the self-confidence of all who take part. Where is the agnosticism and scepticism which such a portentous issue requires…..??

Donald Rumsfeld is not normally someone I would quote, but his comment about “unknown unknowns” deserves respect and understanding.  In all the discussion, I have seen no serious attempt to develop different political, fiscal and social scenarios for Scotland let alone England.

It is obvious that a highly- developed country of 5 million people could operate as a nation state – there are about 40 members of the United Nations and a quarter of EU member states with smaller populations.

The real questions are more on the following lines -

·       How independence would affect the dynamics of trade, currency and investment (public and private) in Scotland - and in the residual (disunited) Kingdom

·       With different scenarios for relations with Europe and the Euro

·       What precise additional benefits will independence give which the traditional and post 1999 measures of Devolution don’t

·       How these benefits measure against the risks suggested in the first two sets of questions….    

At the personal level, I face a future where 2 of my daughters would have passports from a different country; in which I’m not even sure what form my 2015 passport (and driving license) will take; nor in which denomination my (yet unclaimed) pension will be paid. All minor nuisances, I readily agree, compared with the anguishes of migrants in the Europe of the first half of the 20th century......

One of the few discussions which reflects my concerns was on the site of the Royal Society of Edinburgh -

However, there is much that Scots currently take for granted, aspects of good government at the micro-level, that might be threatened by independence. Will an independent Scottish state have to replicate the entire panoply of government ministries and public agencies, many of which benefit from economies of scale and are run – relatively speaking – cheaply and smoothly as British-wide institutions? How much would it cost Scotland, for instance, to set up its own equivalent of the Driver and Vehicle Licensing Agency at Swansea or, alternatively, to contract in to it from outside the United Kingdom? In other areas of public administration, the costings will be more elusive. By contrast with the humdrum and unspectacular efficiency of the DVLA, the BBC provides a compelling example of a widely loved service, whose broadcasting role in Scotland would be precarious in the event of independence.Moreover, notwithstanding coded talk of a ‘social union’, welfare and pensions are, of course, likely to be even touchier subjects for Scots. Unionists need to capture for themselves the rhetoric of social union.Obviously, matters of public administration and the distribution of benefits do not capture the imagination of the wider public in the same way as centuries of grievances – or imagined grievances – concerning the overbearing behaviour of a richer and more powerful neighbour.

Nevertheless, such is the complexity of modern society that an interlocking set of effective UK-wide bureaucracies – however dull and uninspiring a subject for campaign slogans – is not to be lightly jettisoned without overwhelming good cause.

The House of Commons Select Committee on Scottish Affairs is chaired by an ex-colleague of mine who was notorious all of 30 years ago for his duplicity and who does not seem to have improved much with his added years. This site gives an insight, however, into the seriousness with which that committee at least has taken the issue of separation and this evidence gives a sense of how the economic aspects are being explored

Georgi Markov - a forgotten writer

What do Europeans think when they think of Bulgaria? Until last year’s fuss about immigrant workers, the typical response would probably have been a scratch of the head and a reference to the Black Sea coast. A minute’s more thought by older respondents might produce a reference to the poisoned umbrella which killed a Bulgarian dissident in London in the 1970s. 

Georgi Markov was a famous writer assassinated on a London street by the Bulgarian secret services – although the precise details are still not known.

A well-known sculptor, Spartak Dermedjiev, is someone who has tried to keep Markov’s memory alive – initially with an exhibition and, earlier this month, by marking Markov’s birthday with a small monument in a square in central Sofia. Coincidentally The Nation journal published a piece about the man -

When Georgi Markov left Bulgaria in 1969, at the age of 40, he was one of the country’s most lionized writers, the darling of readers and, until that point, party officials.

By all accounts, his success was astounding. He was a chemical engineer by education and worked in various factories in his youth, writing only in his spare time; yet his second novel, “Men”, was named novel of the year by the Bulgarian Writers’ Union in 1962.

Markov was immediately granted full membership in the organization, an unprecedented honor at that time.The award flung open all of the important doors. “Men” was quickly adapted into a movie, a play and a radio drama, and translations of the novel appeared throughout the Eastern bloc. Markov’s subsequent books were also praised by critics and his plays staged in major theaters in Sofia and across the country. He was appointed to a cushy editorial position at Narodna Mladezh, one of the most prestigious Bulgarian publishing houses. And that, in turn, brought him more rewards and privileges.

He became increasingly critical of the regime and eventually failed to return from a foreign visit – landing up in London where he broadcast for the BBC and Radio Free Europe. His broadcasts (often about aspects of Bulgaria) were collected in a book called In Absentia which (sadly) I cannot find online. The article recounts what is known about the role of the Russian KGB and its Bulgarian equivalent in the eventual assassination of the writer in 1978 – but also makes some comments about the lack of proper recognition today of the man.

Last year, a sociological study spearheaded by the Hannah Arendt Center in Sofia examined young Bulgarians’ knowledge of totalitarianism in Europe and at home. The respondents were between the ages of 15 and 35, and the results were striking: 79 percent hadn’t heard of the Gulag; 67 percent hadn’t heard of the Iron Curtain; 51 percent didn’t know the reason for Markov’s death; and 89 percent had no knowledge of the book In Absentia Reports. 

The Bulgarian crisis of historical memory is hardly peculiar to young people, especially when it comes to Markov’s literary works. Most adults are familiar with his name today, but only in the context of his murder. Few have read his essays or novels, and only the biggest bookstores in Sofia stock a book or two of his by chance. It is much easier to find a copy of the memoirs of the dictatorTodor Zhivkov than, for example, Markov’s excellent novellas “The Portrait of My Double” and “The Women of Warsaw.”
 His work is not taught in schools….. The Bulgarian who should have taken the same position in his nation’s literature and political history as Brodsky in Russia, Havel in the Czech Republic and Milosz in Poland has been relegated to the dustbin of memory. After his murder abroad, Markov was killed a second time, this time in his home country.

Well at least there is one person, Spartak Dermedjiev, whose work keeps his memory alive!

Putting words in their place

Questions of English reverberate through our daily lives.  When we use a language, we may be making a social connection, answering a question, enjoying ourselves, passing time, or showing off, but fundamentally we imagine that the interest of the person or people to whom we are speaking is engaged.  The desire to shape and emphasize this engagement is crucial.  How do I get you to listen to me?  Can I persuade you to like me, hire me, trust me, come and see my etchings? 

Manipulations of our language -- by the state, advertisers, salespeople, factions, preachers, prophets, poets, cheats -- are legion.  Then there are other questions.  How do we refer to social groups other than our own -- people of a different ethnic background, say, or people with disabilities?  How do we address strangers, which words are hurtful, and when is it okay to swear?  Is the language of an email different from the language of conversation?  What songs can we sing, and how should we pray?

This is an English language blog – written by a young-hearted old-fogey who, as such, prides himself on his use of the English language. I shiver when I hear prepositions being (in my view) misplaced. It has been some time, for example, since “different to” apparently replaced “different from” but I still can’t accept the new version. We (still) say “I differ from you” – but, despite this, have allowed “to” to usurp the place of “from” when it follows the word "different".  

The Language Wars by Henry Hitchings (from which the opening quotation is taken - page 20) is a book which puts some of this prejudice in its place.

It will come as something of a relief to find out that, when it comes to language and usage, the sky has always been falling. People have been lamenting the coarsening, bastardizing, and very death of English ever since it first emerged, with each successive generation looking wistfully to the previous generations’ undiluted character and general superiority. Hitchings takes a common sense stand when surveying contemporary usage; there are rules, he writes, and there are principles, and when “we write, and also when we speak, we should pay attention to the needs and expectations of our audience, and we should never forget that we are part of that audience.” 

Hitchings deftly charts the boisterous evolution of English, couching it in rich historical context. To wit: as English emerged in Great Britain out of the dialects brought by Germanic settlers in the 5th century, regional usage ruled. Given the obvious lack of ability or opportunity to easily cultivate written works, dialects varied widely from place to place. As a result people tended to be very tribal and jingoistic about usage; it seems we have a natural tendency to believe the way we speak and write is correct and to regard other accents as impolite, rude, uneducated, or the evidence of straight-up moral turpitude.

English was mostly repressed until the 14th century; French (or Latin) was then the official language of government. After the Black Death wiped out a third of Britain, however, surviving peasants and laborers began to rebel against established labor laws. The language of protest was English, and it started being taught in schools around 1350. Soon thereafter, Chaucer began using English (specifically a London-based dialect) in his work. This decision, Hitchings writes, “was bold”, and the rest, as they say, is history: after Chaucer’s death, “as his poetry circulated widely in manuscript, he was anointed as the inventor of English as a literary language.” 

Plague, revolt, the cultural power of poetry? Awesome stuff. Equally awesome is the nutty rogue gallery of usage experts (many of whom are self-proclaimed (natch)) Hitchings has the good sense to let stride through the narrative. For instance, who knew that it was none other than John Dryden who led the charge against ending sentences with prepositions? Or take Lindley Murray, an American expat in Britain in 19th century and celebrated grammarian, who insisted on not using the relative pronoun who when referring to children “for the reason that ‘We hardly consider children as persons, because that term gives us the idea of reason and reflection.’ ” This is just the tip of the iceberg; it turns out that people who care deeply about language are frequently pretty crazy generally. 

In a quick 300 pages, Hitchings takes his readers from the emergence of English; through the divergence of “English English” and “American English;” how it grew to become the lingua franca of business and power and the sociopolitical ramifications of this; evolving conceptions of vulgarity and swearing; the sowing of many Englishes around the world and their complex legacies; the death of British imperialism; George Orwell; all the way up to the present day, where he touches on the influence of the internet, text messaging, PowerPoint, and technology generally. It’s quite a trip.

The New Yorker reviewer took a more severe view of the book’s “descriptive” or relativistic approach – clearly belonging more to the “prescriptive” school which Hitchings takes every opportunity to ridicule. But the review gives a very good summary of the different ways English useage developed  on the other side of the Atlantic

For a long time, many English speakers have felt that the language was going to the dogs. All around them, people were talking about “parameters” and “life styles,” saying “disinterested” when they meant “uninterested,” “fulsome” when they meant “full.” To the pained listeners, it seemed that they were no longer part of this language group. To others, the complainers were fogies and snobs. The usages they objected to were cause not for grief but for celebration. They were pulsings of our linguistic lifeblood, proof that English was large, contained multitudes. 

The crucial document of the language dispute of the past half century was Webster’s Third New International Dictionary, published in 1961. This 2,662-page revised edition of the standard unabridged dictionary of American English was emphatically descriptivist. “Ain’t” got in, as did “irregardless.” “Like” could be used as a conjunction, as in “Winston tastes good like a cigarette should.” Some of these items had appeared in the preceding edition of the unabridged Webster’s (1934), but with plentiful “usage labels,” characterizing them as slang, humorous, erroneous, or illiterate. In Web. III, usage labels appeared far less often; they bore more neutral names, such as “nonstandard” and “substandard”; and they were defined in subtly political terms. “Substandard,” the dictionary tells us, “indicates status conforming to a pattern of linguistic usage that exists throughout the American language community but differs in choice of word or form from that of the prestige group in that community.” Two examples that the dictionary gave of words acceptable throughout the American language community except in its prestige group were “drownded” and “hisself.”

On many sides, Web. III was met with fury. It was the closest thing to a public scandal that the quiet little world of English-language manuals had ever seen.Out of it a new lexicon was born: the American Heritage Dictionary of the English Language, published in 1969. The A.H.D. was a retort to Web. III. It was unashamedly prescriptive and also, strictly speaking, élitist. 

This is one of these rare books to which I want to return immediately it’s finished. Its 15 page bibliography is an incentive to further searches. It has a tantalising reference to the way young English people now tend to finish their sentences on an interrogatory note – apparently known as “uptalk” or "high-rising terminal" - even when there's no question involved.

Those with an interest in the continuing development of our vocabulary are recommended to use the Lexican Valley blog 

Some recommendations for those visiting Sofia

This has become the time of the year when my mind turns to the Carpathian house. Most of the last 7 winters have been spent here in Sofia (with forays to the small Bucharest flat and some sad weeks in a Belgrade winter) and I have been particularly happy with the latest attic flat (right in the old quarter, off Patriarch Eftemi Boulevard) with the 1927 date carved in the stone entrance.

It has the sort of stairhead I imagine Ilyia Beshkov using for one of his wry sketches….. and my small flat (which I;ve been renting for 16 months) has all the original wooden features and stained glass as well as a nice veranda onto a set of leafy courtyards. I thought I would have to give it up but my landlord has changed his mind and offered me an extended lease – which I am happy to take. Despite its centrality, there is no noise – except that of the bells of the old nearby Church on Ignatiev St   

I will miss (for the next few months) my home-made walnut, sesame and sunflower seed bread which I buy from the corner vegetarian restauarant – with superb fragrances wafting across just before I hit the shop itself.

I will also miss the Bulgarian Rakia and its incredible range of white wines - although I have been changing my allegiances in the lists of the last two.

Rakia is rather tasteless – compared to Romanian Tuica let alone Scottish or Irish whisky. But it is the spirit I have grown to prefer – although still insisting on the wine rather than plum or pear variety   For the past year or so, under the influence of my arty Bulgarian friends, my preferred  “poison” has been Yambolski ( a town in east-central Bulgaria). Half a litre for 4.5 euros! But I have now been introduced to Kailashka Rakia from Pleven, north central of the country. It has very good marketing – with a label reminding us of a Kentucky Bourbon and a 1922 date.

So I’m in mellow mood – having had a delightful afternoon cycling and picnicking with 2 young friends in the famous South Park with the quiet retro music one finds in Sofia’s parks – generally guitar or jazz.

I used to be a fan of reasonably-priced St Ilyia white wines in central Bulgaria (Stara Zagora area) – part of the Edward Miroglio group - but have now gravitated to the Black Sea Gold winery of Pomorie (Burgas) whose Soroko (Chardonnay) has the sort of “tickle” I love. And the nearby Ethno winery offers amazing tastes and prices.

And restaurants I will miss? 

• For sheer value for money and atmosphere, the atmospheric house nearby - at the corner of 6th September and Khan Krum Streets - is the greatest. Divaka is actually a chain of three with the more central (and cavernous) being just off Vitosha Bvd and Solunska St.  
•  The Club of the Architect is the classiest restaurant.
• The Rocket offers a great experience (with a retro decor and rakias a speciality) in the gardens at Bvd Dondukov right next door to the Vaska Emanouliva Art Gallery  
• Grape Central Tsar Samuel 45 is  a new addition to a small street which offers great art experiences. Nice brick décor and a fantastic selection of Bulgarian wines, grouped by Region – with modest eating to match the wine.
• Made in Home (Angel Knchev ul. 30A) is a small local restaurant (house wine only) with the best atmosphere (for me). Its just off Vitosha.

Beshkov drawings illustrate the text

The power of images

Black and white phography is a wonderful if neglected art-form - particularly from the early-mid part of the 20th century when brutalisation extended to give us concrete. Masters of the genre were Ansel Adams, Henri Cartier-Bresson, Robert Capa, Robert Doisneau, George Brassai and Andrei Kertesz 

Today I want to pay tribute to a couple of Bulgarian masters – Stoyan Sertev and Ivo Hadzhimishev. I had a fascinating lunch yesterday with Ivo – recognised as Bulgaria’s best photographer – after I had found a wonderful production of his - "STOYAN SERTEV (1906 – 1974) AN EPOCH IN BLACK & WHITE" which contains photographs of prominent artists from the late 1940s. Those of Nikola Tanev, for example, have taken the breath away of friends I have shown it to. Others show sculptors working on the monumental work of the period. 

Stoyan Sertev was actually a musician whose other passion was the camera. His huge archive has kept hundreds of frames from 1939 till the end of his life. He mainly shot works of art and their creators, architectural projects, theatrical and opera performances. 

Ivo Hadzhimishev was responsible for an exhibition on his work at the National Gallery late last year (and also the catalogue) and says about the latter: 

“The images that we can see in front of us have passed the test of time – they have emerged from oblivion, and, with them or because of them, a multitude of Bulgarian artists and intellectuals who have left a trace in Bulgarian and European culture have returned and taken their place in the image memory of Bulgaria. These photographs have been lived through. They have been created first and foremost by the heart and spirit – and that is their value!”

Bulgarian National Radio provided recordings of “Avramov” quartet from the Gold Fund for the audio disc accompanying the edition and Alexander Sertev’s family.

The first photograph is of Nikola Tanev - with an actress friend in 1947 at Sozopol.

The book gives an amazing feel for an era and some of the personalities which dominated it - particularly poignant in view of the traumatic events of that period. The book deserves a higher profile - significant that my friends had never seen a copy.......  

The photo on the right has, in the middle, the unmistakable figure of Vladimir Dmitrov- the Master - and, below that again, a favourite of mine Zdravko Alexandrov

I find it so important to have such personal reminders of my favourite artists. It is one thing to see their paintings and some text about them - quite another to see their photos, particularly if animated - or sometimes better - caricatures!

I was reminded, as we talked, of photographs displayed in the hallway of the building in which painter Tsanko Lavrenov’s grandson now lives. showing the devastation from the allied bombing of Sofia 

They were taken by Lavrenov in the immediate aftermath of that bombing. There is an interesting article here on the subject 

Indifference to our European Neighbours

A post in September last year drew attention to the scandalously superficial treatment which Europeans get of their neighbours. Michael Lewis’s detailed articles (in Vanity Fair) on German, Greek and Irish aspects of the global financial crisis a few years back was an exception which proved the rule. The London Review of Books (belying its name) is about the only publication which gives us in depth coverage of issues and (occasionally) countries. 
France and Germany, whose traditions would lead you to expect such intelligent treatment of other societies, disappoint - despite Die Zeit, for example, being a weekly, with the additional liberty that offers.
In desperation I have now added New Left Review and a new-look New Statesman to the list of journals which now wend their way to my mountain retreat. Already I feel a difference!! 
Time perhaps to revise the assumption about non-intellectual Brits? 

And also to ask a simple question - there are tens of thousands of journalists and academics churning out articles in (hundreds of) thousands of journals in the general field of politics and social policy. Can we not think of a way of making the better of these pieces more accessible - in various European languages?? That's the Eurozine concept - but they're selecting from a rather precious bunch of cultural magazines whose language doesn't take many prisoners! 
There are a few other titles which are trying this idea - eg Project Syndicate but from a rather narrow ideological base ; and Le Courrier International which gives us articles from a variety of (global) newspapers - but these ARE newspaper articles and suffer from the limitations of that genre. 
Time for more experimentation!

One of the factors which gets in the way of even this simple idea is the specialisation of political, professional and academic silos - just have a look at the lists of academic magazines at publishers such as Elsevier,Sage or Wiley. Twenty- odd years ago journals such as Parliamentary Affairs, Political Quarterly, West European Politics and Government and Opposition offered civilised reading. Now, with the exception of Political Quarterly, you get highly specialised  topics with boring technocratic prose.

 On June 24 2012 I wrote 

In my days, we had the magazine Encounter (Der Monat in Germany) which gave me stimulating articles by renowned French, German and Italian writers, for example, but was then discovered to have been funded by the CIA and soon folded. Where is its equivalent these days? Le Monde Diplomatique and Lettre International perhaps - except there is, sadly, no English version of the latter - and only a short version in English of the former (whose language is, in any event, a bit opaque). 

In 2004 Carl Fredrikkson wrote an article about the need for a proper European public space where ideas were exchanged across national boundaries and Jan-Werner Muller returned to the issue earlier this year with an important article entitled The Failure of European Intellectuals?

But I am actually asking for something simpler - clear and insightful writing about different European societies. The recent publication on The Inner lives of Cultures could give us only one European system!

Indifference to our European differences - part I

Three years ago, to the day, I was expressing my concern about the absence of good writing on specific european societies and systems

it's actually easier for a Brit to find about what the Chinese are feeling and discussing than it is to get a similar sense about the various countries of Europe! If you don’t believe this, have a look at the reading list in section 6 of my briefing paper on administrative reform in China. This gives a rich variety of material which can be read about relevant current developments in China. The Chinese-American migration and intellectual exchange has been a powerful mechanism to give us that.

There seems very little equivalent for individual countries of Europe. Ralf Dahrendorf , Tony Judt, and Perry Anderson are some of a very small group who have had the ability to focus intellectually on European countries and communicate them to us clearly. Perry Anderson’s papers on the ongoing debates in countries such as France and Germany which he brought together in his 2009 book The New Old World are exceptional. 

I would like, for example, to plug into the thoughts of greens, left and other groups in the heartland of Europe – and learn what they are doing in practical actions (social enterprise), policies and discussions to help shape a shared vision and agenda for social change.
Where do I go to find this out? Newspapers and journals are too general – and books (apart from Paul Hawkens and Paul Kingsworth) so specialised and numerous that it needs a specialist to help. But where are the "gatekeepers" to help us identify such pe0ple? In posts in previous years, I’ve tried to give a sense of the limited number of good books on, for example, contemporary French, German, Italian or Spanish societies – let alone Polish or Romanian ones!

Sadly, the subsequent years of intensive reading have given me no reason to revise my judgement about the paucity of intellectual efforts to transcend European national borders. Indeed one book which I found last year in Sofia’s second-hand English bookshop (The Elephant) strongly confirms it. It’s Malcolm Bradbury’s 1995 Dangerous Pilgrimages – transatlantic mythologies and the novel which looks at mutual American-English influences on the development of the novel in the past couple of centuries.

I thought I had found an equivalent Modernism – a guide to European Literature 1890-1930 which Bradbury had edited a few years earlier – but it turns out the book is a rather stale series of essays on only the key European figures of that period. Nothing comparative since 1930!
My post of 17 March 2011 went on -

The barrier to our understanding of developments in other European countries is not just linguistic. It stems also from the intellectual compartmentalisation (or apartheid) which universities and European networks have encouraged in our elites. European political scientists, for example, have excellent networks but talk in a highly specialised language about recondite topics which they publish in inaccessible language in inaccessible journals. What insights they have about each other’s countries are rarely made available to the wider public. The same is true of the civil service nationals who participate in EC comitology or OECD networks – let alone the myriad professional networks. We talk about gated communities – but they exist virtually as well as physically. 
Sign and Sight used to translate outstanding articles by non-English language authors (but folded in 2013) - so Eurozine is left as the only network of 75 European highbrow journals and translates interesting articles into at least one major European language

In principle, the most interesting books on a country’s society should be written by nationals of that country – they after all know it best - and duly translated. For example  Luigi Barzini’s The Italians probably still gives us the best insight into Italians despite being written more than 50 years ago. And Geert Maak the Dutch.

But generally, it is outsiders who seem  more able to capture the essence of a country and its people - eg Peter Robb key aspects of Italy; Theodor Zeldin the French; John Ardagh (several decades ago) the Germans. Spain is better served - although Gerald Brennan's South of Granada also remains (after 50 years) one of the best insights.....although this week's book by Jeremy Treglown looks to rival if not supplant it

What does all this tell us about modern writers I wonder? I suppose translators are just too busy to form an association and do some writing themselves?

Recently I referred to an interesting study of 10 societies - The Inner Lives of Cultures only one of which, sadly, was European – Romania. But the chapter was an insightful one  - if missing any references.

The painting is one of Atanas Matsourev's wonderful aquarelles. His technique is amazing - they look so much like oils. I met him a few weeks back - and bought this sketch. a self-portrait.