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This is not a blog which opines on current events. It rather uses incidents, books (old and new), links and papers to muse about our social endeavours.
So old posts are as good as new! And lots of useful links!

The Bucegi mountains - the range I see from the front balcony of my mountain house - are almost 120 kms from Bucharest and cannot normally be seen from the capital but some extraordinary weather conditions allowed this pic to be taken from the top of the Intercontinental Hotel in late Feb 2020

Wednesday, August 13, 2025

Why Do We Ignore Poetry?

It’s more than 5 years since I last raised this question with this post -

Most people ignore most poetry

Because

Most poetry ignores most people

Adrian Mitchell (1932-2008)

I have decided views about writing genres – with a rather strong preference for essays (and short stories). I sometimes wonder whether my lack of interest in fiction betrays an element of autism – although in 2010 I did an interesting list of the novels which had appealed to me in the previous decade. But some years ago I went so far as to suggest that the flood of books had reached such a point that we needed to consider rationing at least non-fiction books

Given the popularity of Twitter and the fear that our attention span is declining, one might have imagined that poetry might appeal to the younger generation. But I don’t sense any sign of this…The Music of Time – poetry in the 20th Century is a book written by the Scottish poet John Burnside in 2020 which contains marvellous and convincing essays (in many cases translated) 

In The Music of Time: Poetry in the Twentieth Century, Burnside moves through his personal life and those of writers responding to war, political turmoil and environmental damage. This is a book where Burnside shows us how to read, how to live a life formed by reading, how poetry knits its way into our minds. It is also a curiously uplifting, rousing book. “Hope”, he writes, “is of the essence for all poets. We might even say that to make a poem at all is an act of hope.”

Why do so few poets appeal to us? I have a few favourites - Bertolt Brecht, Norman MacCaig, TS Eliot, WS Graham, Charles Bukowski, Marin Sorescu and Adrian Mitchell. What is it about such poets which allows them to “reach parts other cannot reach”?

In Bukowski’s case the answer is obvious – he wrote about low-class life in a bawdy way and made not the slightest concession to the poetic structure. It seemed like a flow of semi-consciousness….Norman MacCaig and Marin Sorescu – from opposite ends of Europe – shared a wry, humanist approach to nature and events. See MacCaig’s “Smuggler” and Sorescu’s “Asking too Much?” - the latter about a man commuting between Heaven and Hell and unable to choose between a book, a bottle of wine and a woman

Bert Brecht and Adrian Mitchell – on the other hand - were both highly political

My favourite poem is probably Brecht’s “In Praise of Doubt” which you can find in this collected edition of Brecht’s poetry.

WS Graham and TS Eliot were pretty apolitical but I have always been fond of TS Eliot’s Four Quartets not only for its Zen like sense of time and the puniness of our efforts but for its references to the fragile nature of words – thus, in “Burnt Norton”

Words strain,

Crack and sometimes break, under the burden,

Under the tension, slip, slide, perish,

decay with imprecision, will not stay in place


You can read the entire poem here and later (in East Coker) a section I use a lot–

So here I am, in the middle way, having had twenty years

Trying to learn to use words, and every attempt

Is a wholly new start, and a different kind of failure

Because one has only learnt to get the better of words

Little wonder, therefore, that Eliot was a great admirer of a little-known poet from my home town (Greenock) in the 1940s, WS Graham, who also wrote a lot about words eg

Speaking is difficult and one tries

To be exact, and yet not to

Exact the prime intention to death.

On the other hand, the appearance of things

Must not be made to mean another

thing. It is a kind of triumph

To see them and to put them down

As what they are. The inadequacy

Of the living, animal language drives

Us all to metaphor and an attempt

To organise the spaces we think

We have made occur between the words.

Update; when the post first appeared, I quite unforgivably omitted Tom Leonard from the list. He died, sadly, in February 2019, but his website richness is still available and the letters in particular give a true sense of Glaswegian literary life. His most famous poems were in contemporary street Scots – my favourite being “The Six o’clock News” which you will find my scrolling down this excellent extended tribute

1 comment:

  1. I'm not versed in it, and have not spent many moments-onnet. There is no rhyme nor reason I supprose!

    ReplyDelete