Visual and other Links I Liked

1. When enforced isolation makes internet text even more seductive, this article reminds us of the painting treasures which are now so easily available a mere click away. Curiously, it makes no mention of my favourite ArtUK - which teamed up some years back with the BBC to put much of the nation’s paintings online. Here’s a wonderful example from my home town of Greenock. The painting which graces this post is John Knox's famous 19th century view of Ben Lomond just across the river.....

Another site offers a selection of art available on the net

And this is a very instructive art almanac – offering vignettes of key dates in the lives of artists

2. Photography is another visual art – practised by such giants as Cartier-Bresson 

Andre Kertesz, Paul Strand and John Parr (who was part of a superb MOMA exhibition on English photography under Thatcher)

My friend Keith (before and after his retirement) has been a keen mountain walker and photographer - and his blog must by now be the richest source of Scottish mountain-scape photography. If I’m the King of hyperlinks, Keith is the King of Scottish mountain vistas photography

He has been blogging as long as I have – more than a decade – and each post records his every scaling of every Scottish peak over 3000 feet (known as Munros – of which there are 282) – replete with superb photographs which give an amazing sense of the wonderful world at that level which most of us simply don’t see and indeed are not even aware of……And this is a good example of the occasional political comment his blog makes

3. Talking of mountains, the Bergahn journal resource which they have just kindly made available to us all – temporarily of course but in the spirit of “Open Access” - revealed this nice article on the UK and Carpathians 1862-1914 in their Journal of Travel and Travel-writing      

4. And still on painting, I began to read a little book about John Berger by one Andy Merrifield and was sufficiently intrigued by the author’s writing style to want to see more of it – and duly discovered this little cache

One of the essays in that little collection is called Searching for Guy Debord -Debord being the author of the famous The society of the spectacle (1967) which railed – rather more philosophically than Jerry Mander and Neil Postman – against the social and political effects of the entertainment industry…..  

The spectacle has now “spread itself to the point where it permeates all reality. It was easy to predict in theory what has been quickly and universally demonstrated by practical experience of economic reason’s relentless accomplishments: that the globalization of the false was also the falsification of the globe.”

Merrifield is so taken with Debord that he seeks out his widow, still living in the house with the special high wall Debord built to keep the world out. I can’t say I share Merrifiels’s enthusiasm for the book – with its 221 theses  and an equivalent number of explanatory notes which an editor has subsequently (and necessarily) added….It’s not my sort of writing

The integrated spectacle, Debord said, has sinister characteristics: incessant technological renewal; integration of the state and economy; generalized secrecy; unanswerable lies; and an eternal present. Gismos proliferate at unprecedented speeds; commodities outdate themselves almost each week; nobody can step down the same supermarket aisle twice. The commodity is beyond criticism; useless junk nobody really needs assumes a vital life force that everybody apparently wants.

The state and economy have congealed into an undistinguishable unity, managed by spin-doctors, spin-doctored by managers. Everyone is at the mercy of the expert or the specialist, and the most useful expert is he who can best lie. Now, for the first time ever, “no party or fraction of a party even tries to pretend that they wish to change anything significant.”

For gluttons for punishment Debord added, 21 years later, Comments on the society of the Spectacle

5. Visual Capitalist may not be the best of names but its great use of tables and visual warms my cockles. Here’s a typical example – 24 Cognitive Biases warping Reality

My readers will be bored by my emphasis on the importance of text being visually illustrated….

6. Hold Everything Dear – dispatches on survival and resistance; John Berger (2007)

If you’re looking for an example of the poetic power of John Berger’s writing, read this! It’s a series of short essays sparked off by 9/11. The subtitle brought back memories for me of Albert Camus’ Resistance, rebellion and Death (1960) whose “Letters to a German Friend” moved me greatly when I first read them in the early 60s

7. Last month I posted an updated list of the English-language journals which I had tested with 5 demanding criteria - for having (i) depth of treatment; (ii) breadth of coverage (not just political); (iii) clarity of writing; and being both (iv) cosmopolitan in taste (not just anglo-saxon); and (v) sceptical in tone. 

The post analysed more than 30 journals - regretting the disappearance in 1990 of Encounter.

This morning an article arrived in my mailbox celebrating that selfsame journal – what it doesn’t tell you is that Encounter’s entire archives can be accessed here – courtesy of the quite amazing UNZ Review – an alternative media selection – “A Collection of Interesting, Important, and Controversial Perspectives Largely Excluded from the American Mainstream Media”. 

And if you click “pdf archives” you’ll find a quite wonderful collection of journals inc The New Yorker from the 1930s to 2010!!

Finally, I am no great fan of George Galloway's - but his one saving grace is the clarity of his diction.....and here he is with another great communicator Dr John Campbell