Send in the Clowns

The new deadline of 31 October fixed by the EU at Wednesday night's Summit proves that the UK has indeed “lost control”..... 
John Harris, out on his illuminating Brexit travels again, visited the Prime Minister’s constituency of Maidenhead - and is left almost literally tearing his hair at one Conservative activist's refusal to moderate his charge that the Prime Minister was a "traitor"......

Recent posts have explored whether novelists or social historians have the better skill-set to make sense of what is going on these days in England’s green and pleasant land.

I had clearly forgotten about comedians – with the Little Britain characters (of a decade ago) being obvious contenders for the award of those who best exemplify the country….Except there is stiff competition from the Frankie Boyle New World Order insights – let alone the classic Basil Fawlty (of 40 years ago).

Fawlty Towers was, above all, an ensemble piece about isolation. It was a portrait of rage and frustration, an exploration of the impotence that results when the world as we wish it to be is so agonisingly at odds with the world as it is.

It was the Brexit mindset incubating in the shabby surroundings of a down-at-heel hotel that had seen far better days.What is Basil Fawlty, beyond the proprietor of this macabre hotel? Well, he is a snob, for starters: in the first ever episode, "A Touch of Class", he abruptly reverses his customary hostility on learning that a prospective guest is a lord, clearly hoping that a visiting toff will magically improve the hotel’s social standing (one of his first conversational gambits is to rave to Lord Melbury about the properties of fields of wheat, which may perhaps have stuck somewhere in Theresa May’s psyche). 

A man of somewhat mysterious origins, Basil Fawlty is acutely class conscious, at once mistrustful of the working classes and a Labour party that he sees as encouraging their propensity for industrial action, and anxious about his own lack of social status. Professionals – experts, one might say – frighten him; rules and regulations intimidate him; the need to ingratiate himself to foreigners infuriates him. 

The put-upon Spanish waiter, Manuel, is, for Basil, there to receive a last kick – usually up the backside – from imperial Britain. He is another outsider to be pushed, prodded, poked and communicated with through a loudhailer. But the British empire to which Basil wants to return is already a thing of the past; the world more complicated than his blinkered mind can admit. Watch Fawlty’s visceral horror as young people flaunt their sexuality, as the common people dare to holiday in sedate Torquay, and – in a moment that causes Fawlty to literally jump in disbelief – the NHS is staffed by doctors who are black.

Basil’s most celebrated meltdown comes, of course, when he is confronted with a touring group of well-to-do, articulate, friendly Germans. His psyche splits: he knows he must be welcoming, but cannot find the mental space or language that allows him to forget the second world war…….
 If only we had picked up that Basil – far from being a glimpse into the past – was a snapshot of the future, we might have been able to do something about it.

For the more cerebral amongst us, however, there is another, equally hallowed and longer running, series which captured the belief system at the heart of this blessed land – Yes Minister – which graced our television screens for most of the 1980s. There indelibly is Perfidious Albion in drag – the foibles of the political class exposed for all to see

What we didn’t know at the time was that the brilliant creator of the series – Anthony Jay – had based his script on the theories of the “public choice” economists who promulgated the view that all “public servants” were serving….their own interests…..

In  other words, the series was laying the ground for the neoliberal doctrine which has led to such cynicism about politics….(the last link is to a powerful short article supporting this thesis)

Despite this, I am a great admirer of Anthony Jay’s work which encompassed some great non-fictions books. “Management and Machiavelli” (1969) enthused me no end (I was battling a traditional bureaucracy at the time) - and he “almost single-handedly resurrected the academic study of that 15^th century genius. And Jay followed it up with an equally brilliant book – “Corporation Man” – based on his observations of the BBC…… His talents even extended to tossing off elegant guides to running an effective meetings! Indeed some of my more regular readers will know that I have been known to use his “Democracy, Bernard, it must be stopped” when discussing the workings of the political class. For my money, the article can’t be bettered…

I once found an edited transcript to the entire Yes Minister series which I left behind in Sofia but was delighted to find the entire work here for my permanent perusal!

Update

The role of the comic or jester in politics seems to be in the air these days since there were a couple of learned discussions of the issue this month – on both sides of the Atlantic. First, the NYR Daily gave us this nice walk down Memory Lane - What Koestler knew about jokes

William Davis is a very serious policy wonk whose The Funny Side of Politics also came to my attention only after this post. It surprised me in making no reference to Arthur Koestler who famously explored the dynamics of the joke in 1949 in the first part of Insight and Outlook – an inquiry into the common foundations of science, art and social ethics and updated his thoughts in The Act of Creation, (1964) devoting 100 pages to an exposition on The Jester. It mist have been the second book that I read in the 1960s and remember being bowled over by it.

His approach continues to attract attention as can be seen in this nice comparison with Bergson a few years back and this rather more ponderous  25 page analysis of his theory from the 1980s  

And, while we’re on the subject of politics as entertainment, let’s not forget Neil Postman’s brilliant Amusing Ourselves to Death; (1985) and Jerry Mander’s Four Arguments for the elimination of television;  (1978).

LRB also gave us a few years ago this great overview of the English satiric tradition - Sinking into the Sea - which took as its cue a little book entitled "The Wit and Wisdom of Boris Johnson" edited by Harry Mount