Rabbie Burns

 January 25th sees Scots all over the world coming together to celebrate the Scottish values we’ve long seen as embodied in the life of our national poet, Rabbie Burns. A ploughman and then customs official, Burns wrote in revolutionary times; understood its hypocrisies; and sympathized with its struggles against injustice. The Best Laid Schemes – selected poetry and prose of Robert Burns ed by Robert Crawford and Chris MacLachlan (2021) sets the scene well in this Introduction -

Tender, humorous, sly, sometimes stinging, Robert Burns is one of the world’s greatest love poets. His vernacular tone of address can have a beguiling intimacy about it at the same time as sounding cheekily egalitarian. In tone and tenor Burns, not Shakespeare, is the representative poet of modern democratic cultures. In his work a warmth and a radical political alignment, a bonding of poetry to the causes and traditions of ‘the people’, are immediately apparent and engaging. Though his politics are complex, even at times contradictory, recent writing has reshaped understanding of Scotland’s national poet as a politically radical writer of republican sympathies, one schooled by knowledge of the American as well as the French Revolution.

One of the world’s most mercurially alluring writers, Burns is the first modern poet to be acclaimed a national bard. His erotic verse, like his own life, ranges from the lyrically delicate to the scandalous and bawdy. He lived much of what he wrote about, and Burns lived with dramatic intensity. In 1796 he burned out, dying at the age of 37. His depressive temperament (hinted at early on in the poem ‘To Ruin’), his struggles with poverty, and his engagement with his own celebrity status make his life and work remarkably forceful. Repeatedly there is an insistent performative impulse. His poetry is bound up with his own life, but his songmaking is also splendidly universal so that verses like those of ‘Auld Lang Syne’ are relished and used in cultures very different from his own. The innate drama of his life and the reach of his poetry transcend the locally Scottish, and appeal to the global community. The modernity of his radicalism did not compromise his artistic gift, and presses the case that contemporary egalitarian societies round the world should recognise him as both ancestral and familiar, should regard him still as ‘The Bard’.

This is a wonderful BBC documentary presented by a Scottish writer Andrew O’Hagen and this is a typical Burns’ Supper