what you get here

This is not a blog which opines on current events. It rather uses incidents, books (old and new), links and papers to muse about our social endeavours.
So old posts are as good as new! And lots of useful links!

The Bucegi mountains - the range I see from the front balcony of my mountain house - are almost 120 kms from Bucharest and cannot normally be seen from the capital but some extraordinary weather conditions allowed this pic to be taken from the top of the Intercontinental Hotel in late Feb 2020

Tuesday, November 14, 2023

Can we penetrate anyone’s Soul?

In the early days of the Russian invasion of Ukraine I penned, in a sort of protest, a celebration of life consisting of a list of autobiographies. Today I was reminded of Among You Taking Notes – the wartime diary of Naomi Mitchinson 1939-1945 ed by Dorothy Sheridan (1985) which I duly retrieved from my library – Mitchinson being a Scottish writer and Sheridan has written a useful article about editing the Mitchinson book. It persuaded me to add a (n admittedly small) section to the post to which I have also added the fascinating essay which Paul Theroux gave us in The Trouble with Autobiography”, the most comprehensive notes on the autobiographies of literary classics. I have entitled the new collection “Memoirs, Diaries and Intellectual biographies

That duly led me to this article on The Diary in 20th Century Britain and to the book “The Diary – the epic of everyday life

Elizabeth Podnieks reiterates this observation in her more detailed description of the diary as

a book of days presented in chronological sequence, though not necessarily recorded as such. It inscribes the thoughts, feelings, and experiences of its author and may depict the social, historical, and intellectual period in which she or he lives and writes. Aspects of the author’s character may be denied or repressed, or acknowledged and celebrated. . . .

The diary is an open-ended book, but it may include internal closures and summations. By virtue of its status as a book of days, it is disconnected, yet it may offer structural and thematic patterns and connectives.

Though likely written spontaneously, it is a consciously crafted text, such that the diarist often takes content and aesthetics into account. Finally, though composed in private, the diary is not necessarily a secret document.

It may be intended for an audience: an individual, a small group of people, or a general public, and either contemporary with or future to the diarist’s lifetime

For those wanting to know more about Mitchinson, I recommend 


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