Sofia’s City Gallery has a nice exhibition of aquarelles
drawn from its archives which give a good sense of this particular genre as
practised by Bulgarians in the past century. It starts with 3 majestic
paintings from one Joseph Oberbauer (1853-1926); then 2 typical military scenes
by Jaroslav Veshin from 1902 and 1905; before a magnificent large picture of a
schooner in rough sea (1928) by Alexander Moutafov; and typical aquarelles by
Shturkelov, Frantsaliyski and Jordan Geshev. I was glad to see a Naidenov - but the stars were for me the blue-skyed
Plovdiv scene by Titrinov and this 1950 Vladimir Manski - "Parade at the National
Theatre".
The viewing was made all the more enjoyable by the company and
insights of the exhibition’s curator Svetla Georgieva, a painter and musician
in her own right.
By coincidence, I had bought an aquarelle the previous day - unusually for me. And a large one at that. It has the same feel to it as the Manski and is by a young contemporary - Andrean Vekiarov.
And I am reminded that I failed a few months back to pay tribute to the Sofia City Gallery for its great exhibition celebrating its 60th Anniversary.
The accompanying book - A Possible History - Bulgarian Art through the collection of Sofia City Art Gallery - is one of the best in its series.
By coincidence, I had bought an aquarelle the previous day - unusually for me. And a large one at that. It has the same feel to it as the Manski and is by a young contemporary - Andrean Vekiarov.
And I am reminded that I failed a few months back to pay tribute to the Sofia City Gallery for its great exhibition celebrating its 60th Anniversary.
The accompanying book - A Possible History - Bulgarian Art through the collection of Sofia City Art Gallery - is one of the best in its series.
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