performance management

I’ve written before about my search for the holy grail and it was in that spirit that I was eager to read Colin Talbot’s latest book onTheories of Performance – organisational and service improvement in the public sector which, hot off the press, winged its way to me this week. Although an academic, he does consultancy, writes in a clear and stimulating way about public management, makes no secret of his youthful Marxism (indeed Trotskysm) and has a blogIt was therefore with some impatience that I galloped through the book and now pause to make sense of it. It is indeed an impressive tour de force – which surveys both the very extensive academic literature and also the global government endeavours in this field over the past few decades. As befits an academic, he roots his contribution conceptually before moving on to survey the field – and this is an important contribution in what is all too often a shamefully theoretically-lite field. For the first time I read a reasonably analytical treatment of the various quality measures which have developed in the last decade such as The Common Assessment Framework. His references to the literature are invaluable (I have, for example, now two new acronyms to set against NPM – PSM (public service motivationand new PSL – public service leadership
I am also grateful to him for introduction to the concept of clumsy solutions – which uses culture theory to help develop a better way of dealing with public problems.
On the downside, however, I found the basic focus frustrating – I had hoped (the title notwithstanding) that it would be on the senior manager charged to make things happen. After all, his equally academic colleague Chris Pollit gave us The Essential Public Manager– so it would be nice to have someone with Talbot’s experience, reading and coherence write something for senior managers – and for different cultures. Those trying to design improvement systems in Germany, Romania, China, Estonia, Scotland and France, for example, all confront very different contexts.
And, despite, his introductory references to his consultancy work, the few references he makes are apologetic ("it's not research"). I appreciated his critical comments about the suggestions about gaming responses to the target regime – but was disappointed to find no reference to Gerry Stoker’s important article about the deficiencies of New Labour’s target regime; a paragraph about Michael Barber’s Deliverology book which gives no sense of the dubious assumptions behind his approach; and, finally, really surprised to find no reference to John Seddon’s systems critiques
However, it will (I am sure) quickly become the best book on the subject.

literary detective

White frost on the grass and the study feels particularly cold after the heat of the marvellous stove in the bedroom. The bricks retain their heat for more than a day. Today I have to get new windows in the study here organised. The originals are still in – and one gets a bit drafty at this time of year. My old neighbour Viciu has cut me the new windows and frame – and I now have to persuade a local to fit the glass and find the appropriate hinges before they are fitted.
The Chinese detective book Death of a Red Heroine by Qiu Xiaolong is a really excellent read – a highly intelligent mix of narrative, of description of life in 1990 Shanghai with the new market system coexisting uneasily with the privileges of the communist elite – and of Chinese literary and cooking insights
The author has been an American academic for the past 15 years or so and this is one a series about Inspector Chen which knocks the Stieg Larsson Millennium series into a cocked hat. An excellent review - with excerpts - here

Village life

A lazy Sundayin the Bucharest flat – demonstrating the dangers of television. The saving grace was another sight of the amazing (Danish) Babette’s Feast with my favourite actress Stephane Audran in the unusual role of a destitute French émigrée in a remote Danish village at the beginning of the 20th century who served an old couple for years, won a small amount on the French Lottery and used it all to cook an incredible meal for the villagers.
I left the flat this morning while it was not still light – and enjoyed the start of a brilliant October day as I drove into the mountains. My reward was 20 books – for once an equal number of novels - and a large number of DVDs waiting for me in 5 Amazon packets. Difficult to know where to begin – but a Chinese detective book won the day (with Geert Mak’s An Island in Time also enticing). It's apparently the story of the author's Dutch village - to which he returned to chart its recent decline. So many Romanian villages like mine are also dying...

snow and gutters

For the first time in ten years snow prevented me yesterday from getting to the mountain house. My misfortune was to go into the mountains just as the weather was changing – and before the snowplows had a chance to get working. I was astonished to find the rain turn into flakes of snow as I hit Sinaia – the first resort from the plain (where the royal family had a great castle). As I turned off the main road at Predeal (some15 kilomtres short of Brasov) to take the serpentine road own to Rasnov, the police warned me that I needed winter wheeltracks – but I did not expect the conditions to deteriorate so quickly on the short incline! Discretion got the better part of valour – and I scuttled back to the comfort of the Bucharest flat. I couldn’t face the anonymity of a gueshouse in Brasov or Rasnov!
For the moment I have no thoughts to offer – just some visuals of older Romanian gutter ornaments
and the scenery around my old haunts on the River Clyde
The painting is a Dobre Dobrev one. Seems I have a (small) new project in Bulgaria - which pleases me very much!

Romanian art and the financial crisis

Bucharest is not conducive to thinking and blogging. Too many distractions (TV, Museums and bookshops) and too little space in the flat. Wednesday we visited the National Gallery – for about the third time – and it did this time open my eyes. Not only to the Grigorescu paintings which I had previously overlooked – but also other 19th century artists such as Theodor Aman and Ion Andreescu. Josef Iser and Sam Muetzner are also intersting examples of mid 20th century painters.
Another reason for my recent blog silence is that I have been trying to understand the latest financial catastrophe which has overtaken our economic system – realising that Marxism had much more offer to offer than I had thought. Let me qualify that – I always realised that Marxist analysis was superior to any other but could not go along with the simplistic prescriptions associated with that. Karl Popper was the guy who put me on the pluralist path. In the last few weeks I have rattled through David Harvey’s Enigma of Capitaland Robert Peston’s Who Runs Britain?Each complements the other. The first book supplies the long-term and more abtract perspective. Surplus capital always requires innovation to restore profits – whether from immigration, privatisation, out-sourcing etc. And Peston – as the BBC financial correspondent – shows us how it all works in practice (eg the story of Marks and Spencers)
And am looking forward to Arrighi’s theoretical tour de force Adam Smith in Beijing when I return shortly to cold Sirnea.
Yesterday I came across a very useful publication about the Future of bankingwhich offers an overdue consumer's view of the crisis and what should be done. Finally an article which exposes the corruption of the economics profession in the USA
The painting is a Grigorescu.

recent literary greats

Still in Bucharest – but an American article bemoaning the “fodder” (as the author put it) which the “urban middle class proletariat” there has been fed with over the past 20 years
encouraged me to review my list of literary greats drawn up in March.
I had noticed then that European writers constituted about half of the list and, on review today, I could add only Amos Oz and Andrew Greig from my recent reading – as well as the catalogue of travelogues. North American writers were represented by only Carol Shields (Canada) and Richard Yates (Saul Bellow should certainly be on the list but I would still resist John Updike). Some of the respondents failed to spot that the author was in fact focussing on the poverty of modern USA writing and suggested, sensibly, that he would be better off with a less parochial reading list which would include Latin American, European, Chinese and middle eastern literature. Their recommendations referred me to writers such as WG Sebald, John Banville and Qiu Xiaolong whose books I have not so far read – and which I have now ordered from Amazon.
On more critical matters, two articles about the difficult scenarios we now face – on such basic respources as waterand food

Visibility and the art market

My first days in Romania were in the dark days (or rather nights – the lighting was appalling) of 1991. When I had a proper base (mid 1990s) I would buy the odd painting for decoration but was hardly a serious connaisseur let alone collector. Paintings only made an impact on me in May 2008 when I stumbled into the Phillippopolis Gallery in Plovdiv on the central plains of Bulgaria. I was bowled over and emerged, after my first visit, with 1940s seascapes by 2 renowned Bulgarian painters (Mario Zhekov and Alexandra Mechkuevska) neither of whom I had ever heard and with rustic scenes by 2 younger unknown painters. A later visit netted another famous seascape artist of the 1940s Alexander Moutafov – this time a river scene. Since then I have become friendly with the owners of several Sofia galleries and have almost 50 Bulgarian paintings – and still collecting. By the standards of the Bulgarian realist school, the Romanian paintings I could see here simply did not compare. And the small galleries in Bucharest are managed in a very different way from Bulgaria. There is little feel here of the passion and interest there – except that of money. And that goes for both the low and high end of the market. The low end clusters around the Matache market not far from the Gara de Nord – and are in fact antique shops with few paintings. Most are dark and primitive. I have not ventured into many of the up-market galleries – since they smack so much of bijou investments and big money. But a visit yesterday to the preliminary viewings for a major auction tomorrow (in the Opera House) by Artmark altered one of my attitudes and confirmed another. I realised first that Romanian painting of the first part of the 20th century (my favourite period) was in fact much better than I had thought – the catalogue which you can download will show you what I mean. It’s simply that it’s rarely on public display - whereas the numerous private galleries in Sofia and the municipal galleries throughout Bulgaria have lots of such work to see. There can be only 2 reasons for their invisibilty in Romania – either that state museums are hoarding them or they have been bought up by individuals and private companies. And my suspicion that art has become a commodity in Romania but not yet in Bulgaria was confirmed first by the prices expected at tomorrow’s auction – 150,000 euros minimum for a painting by Romania's most famous paineter - Grigurescu (In Bulgaria the country's favourites go for a maximum of 15,000 euros). One of Artmark’s Directors actually produced a book we could purchase which plotted the annual price changes of the Romanian imptressionist and post-impressionist painters on auction – and told us that the Raiffesen Bank had a special loan scheme for investing in paintings! He alos told us he expected 1,000 at Thursday's auction - whereas the Viktoria Gallery auctions in the Sheraton never attract more than 100.
All of this says a lot about the two societies.....Viktoria are actually auctioning tomorrow - and at Varna 4 hours' drive away - but it clashes with the Artmark one which is worth visiting as a bit of social observation.