Despite the role and significance of Germany over
the past century and in present times, any visitor to that country who wanted a good book on the country had, until recently, a stark choice – heavy academic histories or the
Rough Guide.
The 600 page
Germany and the Germans which John Ardagh produced in the mid 1980s sadly went
out of print after its final edition of 1995. In 2010, however, two large and serious books appeared
- Peter Watson’s blockbuster -
German Genius which is reviewed
here and
here
Watson has not simply written a survey of the German
intellect from Goethe to Botho Strauss – nothing so dilettantist. In the course
of nearly 1,000 pages, he covers German idealism, porcelain, the symphony, Johann Joachim Winckelmann,
telegraphy, homeopathy, strategy, Sanskrit, colour theory, the Nazarenes,
universities, Hegel, jurisprudence, the conservation of energy, the Biedermeyer, entropy, fractals, dyestuffs, the PhD, heroin,
automobiles, the unconscious, the cannon, the Altar of
Pergamon, sociology, militarism, the waltz, anti-semitism, continental
drift, quantum theory and serial music.
It’s the history of Germany in the broadest sense
of that name - starting with the residue of the Roman Empire and
ending with the founding of the Third Empire in 1933 when the author can't bear
to continue. It encompasses cities from Brussels to Gdansk to Milan and
all the way down the Danube, allowing the author to potter around old
castles and cathedrals to his heart's content.A higgledy-piggledy mixture of
more or less independent duchies, principalities and bishoprics coalesced
slowly into modern states (plural - Winder uses Germania for Austria and Germany,
and doesn't hesitate to visit other countries nearby). History as folly,
incompetence and grudge; the author dismisses his own work as anecdotal
facetiousness but it's far better than that. A flavour - "a slice through
any given month in Germany's history turns up a staggering array of rulers: a
discredited soldier, a pious archbishop, a sickly boy and his throne-grabbing
regent, and a half-demented miser obsessed with alchemy".
This book is a travelogue (in the Bill Bryson style) fused with a cultural and
political history of Germany. If you're looking for only one or the other,
you will be disappointed. But if you just want to find out about Germany,
and are ready to accept a few idiosyncrasies of style along the way, you'll
love this book.
Neither book, however, deals with contemporary Germany - that's why the 1995 John Ardagh book is sorely missed, with its explanation of such important aspects of German life as federalism and the social market. The only bit of writing which I can unreservedly recommend about contemporary Germany is
the long article on Germany written a few years ago by Perry Andersen.
Winder's focus on history gives some good insights:
- The role the earliest centuries and the Middle Ages play in the imagination of
the Germans in all sorts of ways; and how much medieval architecture remains in Germany
- Why the Holy Roman Emperors, with no proper capital before
1533 when Vienna was declared the capital city of the Habsburgs, never managed
to overcome the extraordinary fragmentation of Germany in the way in which the
English and the French managed it many centuries earlier. There are delightful
vignettes of the courts of tiny principalities, often presided over by dotty or
self-indulgent rulers. Due to the frequent absence of primogeniture, many of
them had hyphenated names, like Schleswig-Holstein-Sonderburg-Glücksburg which
provided the wife for Edward VII: the more hyphenated, the tinier they were.
- How weak Prussia was between the end of the reign
of Frederick the Great in 1786 and Bismarck's Danish War of 1864. Winder
asserts that "Frederick's actions DID NOT LEAD (his italics) to Bismarck's
empire." Winder doesn't think much of Frederick's achievements, but
admires Maria Theresa and her "adorable", "fun" husband,
the Holy Roman Emperor Francis I.
- And after all the tomes that have been written about the
Prussian - later German - armies, it is interesting to see Winder rather
debunking their achievements "outside the delusive little seven year
period [covering the Danish, Austrian and French wars between 1864 and
1871]". He also debunks the German navy. He lays into some conventional
views about the run-up to and course of the First World War with a zest
reminiscent of A.J.P.Taylor. He makes a case for saying that Germany between
1871 and 1914 was militarily less aggressive than Russia Britain, France or Italy during
the same period. He sees the French as the main trouble-makers in Europe from
Louis XIV onwards. But then he had decided from the start that his book would
"bale out" in 1933. (He does not completely manage that: reference to
the Nazi period are dotted throughout the book.) He told us at the beginning
that he wanted us to look at pre-1933 Germany free from the hostile mind-set
which has been created by the two World Wars, and which had been quite absent
from Britain for almost the whole of the 19th century. For him there was no
German "Sonderweg": for him "Germany in 1914 had been a
normal country, espousing much of the same racism, military posturing, and
taste for ugly public buildings that bedevilled the rest of the
Continent."
- This is more of an impressionist account, though, like an
impressionist painting, consisting of many brilliant and highly coloured
individual brush strokes. It is basically, but not always chronological; and it
is interspersed with digressions and bits of autobiography which increase in
length as the book proceeds. Winder is having fun: "fun" used as an
adjective occurs frequently in the book, which is light-hearted, often
hilarious, discursive, never short of an opinion and indeed sometimes
opinionated and over-the-top: he calls Weber's book on the Protestant Ethic
"famously idiotic"; Napoleon III is rebuked for his "sheer
childishness"; the word "mad" occurs with a somewhat maddening
frequency; he describes the successor states of the Habsburg Empire as "a
mass of poisonous micro-states". It is also quite serious, in many ways
insightful, cultured, affectionate but also critical, and fantastically
knowledgeable.
The book certainly has made me (and others- it has 100
reviews on the Amazon site) think. It has more than 100 bibliographical
references and, significantly, half are literary or cultural.
As it’s a public holiday in this part of Germany (the fourth
this month – it’s Corpus Christi for Catholics and several hundred parishioners
have just passed by with a brass band under my balcony) my internet is working
very well even mid-morning and I’ve been able to surf the internet for articles
about Germany. I was quickly rewarded with a book about the country written by
an American whose German family background in Pennsylvania led him to a
European trip in the 1970s which led to a 14-year stay in Germany and the
research which led to the production in 2000 of the book
Germany – Unravelling an Enigma which seems to focus on aspects of social behaviour and explanations of the social market.
I will read it with interest and perhaps share some of its
sections with you…