what you get here

This is not a blog which opines on current events. It rather uses incidents, books (old and new), links and papers to muse about our social endeavours.
So old posts are as good as new! And lots of useful links!

The Bucegi mountains - the range I see from the front balcony of my mountain house - are almost 120 kms from Bucharest and cannot normally be seen from the capital but some extraordinary weather conditions allowed this pic to be taken from the top of the Intercontinental Hotel in late Feb 2020

Wednesday, March 14, 2012

The European Commission Terrorists

Daniel Cohn-Bendit has been a breath of fresh air in European politics since 1968. Ensconced in the European Parliament for the past couple of decades (as a Green), his disparaging term for Commissioner Barrosso and his advisers has, apparently, been “The Chicago boys” - a nice conflation of mafia and the source of academic neo-liberalism. Recently, he has started to call them “The neo-liberal Taliban”  and Social Europe has a useful post outlining the various positions taken by the EC which justify this term. So, let’s look at the facts:
• According to the Commission’s reading, the deepest financial and economic crisis since the 1930s is simply a state debt crisis and has little to do with the crash of Lehmann Brothers and other banks. Yet, in reality, states were forced to step in to save the banks and their markets due to the meltdown in the financial industry. Many member states with previously reasonable debt levels assumed private debts and thus increased their public debt. But for the Commission, only the last link of the chain is important: austerity regimes must be established all over Europe to counter the “debt challenge”, to introduce “debt brakes” and the name for these austerity regimes is “economic governance”.
• Under the Troika regime, Greece has been asked to cut debts. The Greeks are willing to save money by cutting the defence budget but the Commission’s reaction has been negative: it recommends cutting pensions instead.
 The Troika regime is asking Ireland to cut salaries. The Irish trade unions have challenged the approach as neoliberal but the Commission’s maintains that it’s all just economics!
• The Commission’s country recommendations follow the same pattern: Belgium should see its long existing wage indexation as a cause of the debts and abolish it; Spain should let collective bargaining agreements extinguish without renewal; France should limit the rate of increase of minimum wages. The Commission will enforce these recommendations via a system of fines and sanctions.
• The recent White Paper on pensions claims to support workers’ mobility. What it actually seems to promote is the mobility of insurance companies and the uniformity of insurance products all over Europe.
• There is still no breakthrough on a Financial Transaction Tax, Eurobonds, strict regulation of financial markets, a split of the banking system etc.
• The so-called “reform agenda” is still under the banner of more smart regulation, more labour market reform, more flexicurity etc.

Europe needs to be protected against this neoliberal dismantling. The financial industry brought the system close to a breakdown and the “neoliberal Taliban” are bringing Europe close to collapse. They overlook the symptoms of growing euroscepticism all over Europe and they fail to deliver solutions. Whether or not austerity works, seems not so important for them.
Another interesting Social Europe post is here

A painting privilege in Shumen

Another workshop at Targovishte – and the morning swim and exercise we have now started in Sofia (just round the corner in at Rodina Hotel) left no time to pop in to see the Veliko Tornovo Gallery (about which I haven’t heard anything in any case). But I had learned that Shumen has an interesting gallery from this link I had accidentally come across. The town of Shumen (80 kms from Varna and the Black Sea) is a bit unprepossessing as you drive in – with decaying 1950s residential blocks. But its centre is a pleasant surprise, with one the largest pedestrian areas I have ever seen – with trees, a theatre, statues and a mountain range behind. Its upper side is graced with a series of old, large official buildings – of which a mock Italian palace (the police station) is perhaps the most interesting.  
The Elena Karamihaylova Gallery was known only by two elderly ladies and was initially a disappointment – since the second floor containing the permanent collection was closed for reconstruction. But conversations with 3 (of the 7) staff managed to convey our love of Bulgarian painting and the Director graciously presented us with an attractive pack containing 20 postcards of the paintings, a CD and a small booklet giving the history of the collection and short notes on the artists.
When, however, I mentioned the name Alexander Moutafov (who was apparently born in Shumen), it was literally the key to open an Aladdin;s Cave.
Valentina Velikova, the paintings expert, took us to the archives where we saw the collection (of 1,300 items) stored and filed. And she was kind enough to find and pull out for our inspection various portraits by Elena Karamihaylova and paintings by Nikola Tanev, Alexander Moutafov and Stanio Stamatov. Marvellous to have a chance to handle such work. And great that a small gallery should have developed such a nice pack. They are rare amongsdt Regional galleries in having a CD - only Kazanlak (so far on my travels) has offered such a product. It is so simple, cheap to creat - and so necessary given the large numbers of paintings which are doomed to spend their life in basement archives!

 During the journey, I had said that I did not think that Brits had made their home in this part of the country - but, on the way back to the hotel, we popped into a Lidl supermarket and got into conversation with a british couple who have been living in a village outside Shumen for the past 5 years. They told us that quite a few Brits were in the area.

Monday, March 12, 2012

Fighting Big Brother

A year ago I had a rather brief post about the decline of journalism (three of my readers have already beaten me to this today!!) and hinted about the role which media concentration and corporate power was playing in the restriction of our democratic freedoms. By sheer coincidence, I came across yesterday a gripping video on how precisely lobbyists and deregulation made this possible in the USA in the 1990s and early 2000s (with propaganda calculated to make George Orwell spin in his grave) - and with what results. There are some great interviews with media people who clearly have taken risks in being so outspoken – and a stunning interview with a Republican appointee who acts like a programmed Alien in her responses to some critical questioning. The video focuses on serious abuse of power which never made the news - vetoed by those who feared corporate power sponsors. Another video is here
Rather belatedly, perhaps, some centres have been formed to fight this – in the US the Center for Public Integrity; in the UK,,a Centre for the Freedom of the Media; and a more recent The Bureau Investigates

Two useful papers are Mapping global media policy; and Media pluralism and concentration; the UK case
For those who care about democracy, these are the organisations which deserve and need public support.

Craig Murray had posted a couple of videos from a recent Conference in Berlin on Freedom of Expression which show, for example, how the BBC elite has clearly made him a non-person because of his courage in exposing the lies and deciet which pass for foreign policy. I hope this link works - since the first link I put up quickly disappeared from the Institute for Cultural Diplomacy's site!! I have asked the Institute for an explanation of this.........

A dig at the Aid business

 I'm not a cynical person - it is rather scepticism I celebrate. But satire is a useful wepaon against the pomposity and hubris of large organisations - and I did enjoy a piece on the genesis of the aid business of which this is an excerpt -
In the beginning, the Donors said, “Let us make development in our image, and in our likeness, so that we may bring about changes in developing countries”. And other Government Departments replied, “Yes, but not too much change, and not all at once, who knows What might Happen.” And the Donors did reflect upon this, and after a time they did say, “Let there be Aid Programmes”.
And lo, having completed the appropriate paperwork and then randomly recruited staff members on the basis of spurious social connections, the Aid Workers did create a great many Aid Programmes upon the land, with rather fewer in the sea.
Now at first many Aid Programmes were formless and empty, there was darkness over any possible engagement with intended beneficiaries, and attribution of impact was absolutely nowhere to be seen. With naught else to look at, the Donors did peck at the financials like bureaucratic vultures.
And the Donors did say, “Let there be light on this programme”, but there was no light, merely quarterly reports cut and pasted from other endeavours. But the Aid Workers saw that the reports were sufficient to get the donors off their backs. They called the reports “evidence-based” and they did construct programme narratives, after a fashion. And there were visits and some more reports.

But upon reading the reviews, the Donors said, “Let all the programmes under this sky be gathered to one place, and let duplication and waste disappear.” But it was not so. Instead the Aid Workers did gather in the bar and Grumble about it over numerous beers. The next day, the Aid Workers said those programmes whose representatives had gathered in that bar formed ‘a new Coordinated Operational Network System, or CONS’. And the Donors did scratch their heads, and then said, “Well, Okay”.

Then the Donors said, “Let the programmes produce results: monitoring systems and impact-bearing evidence, both qualitative and quantitative, according to their various kinds.” But again, it was not so. The programmes produced reports bearing more narratives and nice photos on the front. But the content was heavily skewed according to pre-defined objectives and indicators that could have been copied off a cereal box.

And the Aid Workers saw that it was rather woolly and vague, and were satisfied. And the Donors saw that it was not Actually very good, but would at least keep the Right Wing Press off their backs for a little longer.
And then one Aid Worker did Stand up and Say, “Let our Programmes be shaped by those we seek to serve, and Let them tell us what is good and right, and let us shine a true light into these programmes of ours, so that a light may then shine forth from them. And let that Light be Truly called ‘Development’.”
But the other Aid Workers did say, “Shut up and sit down, What are you playing at, Dost thou wish to get us all into the Deep Excrement?”
Thankfully the Donors were too busy creating new Declarations of Aid Effectiveness, within which all new and existing efforts should be fixed, according to their kind, and so did not notice.
And so this Aid Worker did leave that place, and became a Participatory Monitoring and Evaluation Specialist.
The other Aid Workers blessed her departure and said “Come back when our next mid-term review is due, and verily your rates will be good.” And they were.

Saturday, March 10, 2012

The amorality of Professions

I see that rule of law has not improved in Azerbaijan since I worked and lived in Baku between 2003-05. Those attending the Eurovision Song contest being held there in a couple of months should be told about the evictions which have taken place to house the stupid event. I went to work there (for 2 years) immediately after I had spent 3 years in Uzbekistan, For me, the repressive nature of the regimes which ruled the 2 countries was so similar - but the oil and geography ensured that Azerbaijan remained a Western favourite while Uzbekistan was increasingly demonised. These evictions are just a very public example of the way the authorities in that country trample all over its citizens' basic rights.
A good vignette about professionals
Sometimes you find real gems in discussions threads. Here's a great comment on the legal system from someone whose name I didn't note in a now-forgotten discussion thread. It could be used of any professional system -
Judges, lawyers, barristers and other professional morality men work consciously and unconsciously to create unnecessary needs and ensure that there is no other means of meeting them than through their profession. This they do in five ways.

• Firstly, they make truth, justice and authority inseparable from an abstract and extremely complicated code that only they are trained to understand. In this they are no different from scientists, doctors or politicians; or from the priests they took over from, who, before printing and wide-literacy, had sole access to the word of God.
• Secondly, and connected with their abstraction of truth, they create and use a nomenclature, or jargon, to describe both their own activity as well as normal life. Laws are couched in such obscure language that only those who have spent years learning the code are able to interpret and discuss them.
• Thirdly, going to court involves a series of ceremonial, formalised rituals, invested with all the mystique of a religion, that bewilder, terrify or pacify outsiders into further dependence and unnecessary “respect”.
• Fourthly, there is little and usually no provision for the independent litigant to represent herself. She is given little or no help or encouragement to defend her case. She is unprofessional, and so is treated, by judges and lawyers alike, as incompetent, untrustworthy and irresponsible. Witnesses are treated in a similar way: only professionals can give opinions; everyone else must stick to facts.
• Finally, “nobody is above the law.” This demonstrable lie ensures that justice cannot be done outside of court. This does not just include legal disputes, crime and so forth, but also marriage, divorce, buying a house and making a will, all of which are invalid without a trip to the lawyer.
I am reminded, as I read this, of the historical critique - The Third Revolution; professional elites in the modern world by Harold Perkins which I have referred to several times on this blog. And who better than Daumier to offer a graphic comment on the legal profession! Here is a wonderful video on the Daumier caricatures.
Bulgarian caricaturists such as Ilya Beshkov are worthy successors to Daumier - here is one I bought recently.
A year ago -
I had a good post about social change in which I referred to Robert Quinn’s book Change the world; how ordinary people can accomplish extraordinary results as an excellent antidote for those who are still fixated on the expert model of change – those who imagine it can be achieved by “telling”, “forcing” or by participation. Quinn exposes the last for what it normally is (despite the best intentions of those in power) – a form of manipulation – and effectively encourages us, through examples, to have more faith in people. As the blurb says –
the idea that inner change makes outer change possible has always been part of spiritual and psychological teachings. But not an idea that’s generally addressed in leadership and management training.
 Quinn's book looks at how leaders such as Christ, Gandhi and Luther King have mobilised people for major change – and suggests that, by using 8 principles, “change agents” are capable of helping ordinary people to achieve transformative change. These principles are -
• Envisage the productive community (ie imagine a better system)
• Look within
• Embrace the hypocritical self
• Transcend fear
• Embody a vision of the common good
• Disturb the system
• Surrender to the emergent system
• Entice through moral power

Friday, March 9, 2012

Sliven's excellent galleries

Sliven, with 100,000 inhabitants, is half the size of neighbouring Stara Zagora; also has a dramatic location with mountains rising sheer from behind; but has a more run-down appearance. I associate the town with two things – the painter Dobre Dobrev (198-1973) and excellent white wine (Vini Sliven which has become very difficult to find now in Sofia; Windy Hills I have not yet tasted)!
And the town has done Dobrev proud – with some 50 of his paintings on permanent display in a superb National Revival house. Here I found the painting which had so attracted me in the special exhibition mounted 2 years ago by the Sofia City Gallery - with the fingers of the man at the cafe so clearly drawn!
I was taken to the Gallery by Evelin who had been kind enough to show me round the Sirak Stitnik Gallery which is the town’s main gallery – with a collection just as good as that I saw the previous day in the neighbouring town.
Not only the country’s greats such as Tanev, Abadjiev and Boris Denev but a special exhibition of the graphics of a new painter for me - Kozuharev, Nikola (1892-1971).

He's famous apparently for his mythological and historical paintings but was also a war artist - covering the Balkan War and First World Wars - and some of these sketches were on display.
This painting is of the capture of Bulgaria's greatest freedom-fighter - Vassil Levski.
Unfortunately, there was no heating in the place - like the Russe and Targovishte galleries

A good display in Stara Zagora

Stara Zagora was reached in exactly 3 hours – along an excellent motorway which, however, peters out at that point. It has a superb location with the Balkan mountains as a majestic backcloth. It was completely destroyed by the Turks in 1877  for welcoming the Russian army of General Gurko and was subsequently rebuilt on a strict grid-plan with leafy Boulevards.
I therefore had no problems finding the Art gallery which is a most impressive one – well maintained and offering, for 1 euro, 3 separate exhibitions.

The permament one displays some of the works of the many painters who have been born and worked there – eg  Anton Mitov, Mario Zhekov and Atanas Mihov (1879-1974) who, with Zhekov and Dobre Dobrev, is now becoming one of my real favourites. Paintings by Nikola Tanev, Ivan Penkov (below) and Moutafov were also on display.
The Gallery also offered a collection of women’s portraits and, finally, a display of woodcuts and graphics in a temperature controlled room.

A superb book The Artists of Stara Zagora was also available - produced by the Gallery Director Marin Dobrev who was kind enough to sign it for me. And I was allowed to snap many of the paintings – without flash, of course. The exhibits were so enthralling I spent almost two hours in total there – with a return visit after the lunchbreak.
Many new names – eg Vasil Marinov and a great portraitist Elizabeth Konsulova-Vazova (1881-1965)