what you get here

This is not a blog which opines on current events. It rather uses incidents, books (old and new), links and papers to muse about our social endeavours.
So old posts are as good as new! And lots of useful links!

The Bucegi mountains - the range I see from the front balcony of my mountain house - are almost 120 kms from Bucharest and cannot normally be seen from the capital but some extraordinary weather conditions allowed this pic to be taken from the top of the Intercontinental Hotel in late Feb 2020

Tuesday, March 29, 2011

The mask of reform


A rereading of yesterday’s questions for a Skype discussion today was quite salutary – particularly the first one – “What were the forces which helped reform the state system of the various EU member countries?” Talk about begging the question! In what sense can we actually say the British or French state system has actually reformed in the past 40 years – let alone in a “better” direction?? Of course the rhetoric of reform is in place – which it certainly wasn’t 40 years ago. I vividly remember the writing of organisational analysts such as Charles Lindblom in the 1970s who invented phrases such as “disjointed incrementalism” to demonstrate the impossibility of modern public oganisations being able to change radically. Suddenly in the late 1980s, the language changed and everything seemed possible – “Total Quality Management” was a typical phrase. Thatcher has a lot to answer for – in creating the illusion that private management (concepts and people) had the answer. And, perversely, the greater the chaos it caused, the greater the need for management.
After several waves of major public sector reforms in Britain, a lot of people would say that things have gone backward – or, more nuanced, that any improvements are down to technological and financial rather than managerial developments. And “managerial” covers elements of both macro structures (like Agencies) and management hierarchy and behaviour - which has certainly got worse as the ethic of public service has disappeared. But who is best placed to make such judgements? Using what criteria? Do we rely on public surveys? But survey work is so profoundly influenced by the sorts of questions asked – and interpretations. Politicians, managers and professionals all have their vested interest in the stance they take – although the older “coalface” professional is perhaps in the best position to judge.
We have a lot of comparative indicators these days about both individual public services (France regularly tops the league tables for health; Finland for education) and governance systems. But they don’t seem to have much link with the experiences of ordinary people. This is where the efforts of a small journal like Scottish Review are so important – in putting spotlight on the greed and incompetence of leaders of public services in Scotland. Today its indefatigable editor watched the behaviour of the 2 most senior people of Glasgow University (my alma mater) during a at a public meeting of students trying to understand the heavy-handed police raid (which included a helicopter) on students occupying a building. Last Tuesday, 15 students were occupying the Hetherington Club, the police despatched to the scene between 40 and 80 officers (the number varies from account to account), up to 18 vehicles and the Strathclyde helicopter. As Kenneth Roy writes "What was all that about? The police made themselves look more than a little foolish". A combination of education and media exposure has made the british public lose its traditional deference to those with authority. But increasingly those in public positions are exposed for lacking the basic character (let alone competence)for the job. And, increasingly, managerialism (and the salaries which go to the top echelons)seems to be at the root of the problem. I therefore return to the question I posed in my 2006 paper to the NISPAcee Conference - how can those of us who come from such culture dare to give advise to those struggling in "transition" countries? And should these countries bother anyway about transition to such systems? They were in the neo-liberal heaven (everything for sale) long before us - in the mid 1990s when their taxation systems collapsed and their elites realised what a great legitimisation for their corruption the new Western Weltanschaung gave them!
Either the University Principal knew and approved what was about to happen, in which case he showed extremely poor judgement; or he was unaware of the invitation to the police until the helicopter was buzzing overhead, in which case he had lost control of his own staff. Either way there is an issue of personal responsibility. In the meeting in Bute Hall, we saw a microcosm of the more general failings of Scottish public life: the largely meaningless incantation of a duty of care; the feebleness of non-executives even, as in this case, an elected one; the reluctance of those in power to acknowledge their own errors; the tendency in a crisis to consolidate the crumbling position of the strong while failing to protect the vulnerable; the absence of wit and forensic ability

Cartoon time!


Coincidentally, three of Bulgaria’s cartoonists have a family name starting with B - Bozhenov, Alexander 1878-1968; Behar, Marko 1914-73; and Beshkov, Ilia 1901- 1958. I have no information yet about the first two but Wikipedia gave me the sort of information about Beshkov I would like to have about all the entries in the planned book And I was able to buy two old books devoted to Beshkov's life and work in the chaotic antique shop I’ve already mentioned. Indeed I also snapped up a lot of sketches scribbled on the pages of a 1947 journal which look remarkably like Beshkov’s work – not only to me but to Bulgarian cognoscenti I’ve shown them to.
More examples are to be seen on a short link Remarkable old Bulgarian illustrators
Beshkov was born in 1901 in a small town near Pleven. In 1918–1920, he studied law at Sofia University and briefly returned home as a teacher. In 1921, he enrolled in painting at the National Academy of Arts and graduated in 1926. As a student, Beshkov published caricatures in magazines. He was twice arrested due to his leftist political views: once after participating in the uprising following the Bulgarian coup détat of 1923.
He was one of the founders of a famous newspaper "Hornet" in 1940, and published in it without signature or pseudonym. In 1945, he became a lecturer of drawing, illustration and print design at the National Academy of Fine Art; he was elected a tenured professor in 1953 and led the Department of Graphics until his death in 1958.
Beshkov's political caricatures were humanist, democratic, revolutionary and national in nature. The art gallery in Pleven is named in his honour and most of his works are exhibited there. I reproduced another of his cartoons here. And I have in my bathroom what I think is a Behar

Monday, March 28, 2011

The How and the What of Change


I need to return to the paper for the Varna Conference – a final version of which has to be posted on the NISPAcee site in a couple of weeks. I’ve known for some time that there were two separate issues – the first about how procedurally the procurement system might be improved to get a better match of needs and consultants. The second issue is the more profound one of the what the nature of the knowledge and skill base which a consultant operating in the very specific context of Neighbourhood Countries needs to be effective. The What requires us to face up to the following sorts of questions –
• What were the forces which helped reform the state system of the various EU member countries?
• In the absence of such forces should we actually get involved in institution-building in neighbourhood countries?
• what do we actually know about the results of institution-building (IB) in kleptocratic regimes?
• Does it not simply give a new arrogant and kleptocratic elite a better vocabulary
• Does the “windows of opportunity” theory not suggest a totally different approach to IB?

I’m happy enough for the moment with my comments on the EC’s Backbone Strategy for the reform of TA. They convince me (at any rate) that the strategy is mere bureaucratic tinkering to satisfy the (highly limited) concerns of auditors. The strategy doesn’t even raise the fundamental WHAT questions.
TA based on project management and competitive tendering is fatally flawed – imagining that a series of “products” procured randomly by competitive company bidding can develop the sort of trust, networking and knowledge on which lasting change depends.
In a recent blog I referred to the rigorous analysis of fashions in institution building in Technical Assistance always to be found in the work of Tom Carrothers and Derek Brinkerhoff
His second paper points out the ambiguity of the rhetoric about “rule of law” - which finds support from a variety of ideological and professional positions and therefore leads to confused implementation if not state capture. Good overviews of this are here, here and here

I have also said how little scrutiny there is of the various tools in the consultancy toolkit. The one exception is the “democracy promotion” strand of work where Richard Youngs is particularly prolific. Indeed I discovered today an important book he edited in 2009 which matches the concern I voice in the second part of my draft paper - about the failure of the EU to understand properly the context of neighbourhood countries and to adjust TA accordingly. The book has the marvellous title of “Democracy’s Plight in the European Neighbourhood – Struggling transitions and proliferating dynasties” - with chapters on Bulgaria, Romania, Moldova, Serbia, Turkey, Georgia, Armenia, Azerbaijan, Ukraine, Russia, Kazakhstan, Belarus, Egypt, Algeria and Morocco.
The painting is a Napoleon Alekov which went recently for 350 euros only

A-B Bulgarian painters


I realise that those who alight on this blog may not share my passion for painting – let alone Bulgarian works. I thought of relegating the series I have started on that subject to the lower half of each post – but that would add considerably to the length of what are clearly already too verbose posts. The answer seems to be alternate posts – so, be warned, this is an exclusive painting post. If you're really into painting - particularly Realist - then check out the booklet I published in May 2012

Boris Angelushev (1902-1966) trained and worked in Berlin from the early 1920s for more than a decade (returning to Bulgaria only in 1935) and was clearly influenced by the revolutionary events taking place then - and by the powerful graphics of Kathe Kollwitz of whom I have always been very fond.
A typical agitprop sketch of his headed the recent post about Romanian DNA and more of his work can be seen here. When I was in Sofia in January I was lucky enough to come across a large book which seemed to contain every single one of his works. Even although it’s all in Bulgarian, I considered it a bargain at 22 euros. I actually have a sketchbook I also bought then in the tiny eccentric gallery I blogged about at the time. It's by an unknown artist – my knowledgeable Bulgarian friends agree that it’s quality work from the mid century and I have just realised it could be Angelushev’s since the old sketchbook carries an embossed Romanian-German title –“Album de schite-Skizzenbuch” – and he worked in both Romania and Germany.

I have the sense that Bulgarian painters are more numerous (proportionately) than British. I don’t pretend to know a great deal about British art (more about Scottish – the Glasgow Boys; the Colourists etc) – so Amazon delivered this week a book (A Crisis of Brilliance) about a group of 5 famous English painters of the early 20th century – Dora Carrington, Merk Getler, Paul Nash, Richard Nevinson and Stanley Spencer (I had only heard of the first and last). Certainly I could make a list of no more than 20 UK painters of the last 100 years – whereas my list of Bulgarian painters is almost at the 150 mark. And one of the difficulties about compiling the list is that quite a few Bulgarian painters share a family name – some are related (eg Dobre Dobrev senior and Junior) – but most are not. And this seems to be particularly true of names like Georgiev (3 in my list) and Ivanov (five!) The next two listings share an appropriate name for that part of the world -

Balkanski.
Nenko Balkanski was born in Kazanluk in 1907, lived until he was 70 and is the more prestigious of the two. He graduated from the National Art Gallery in 1930 and then went to study in Germany, France and later Italy He seems to have been a modest man and his portrayals of family life (above) were well regarded by the socialist authorities who used his work on stamps. I saw a superb small portrait of a woman by him in the Konus Gallery in Sofia for about 1,400 euros – brought especially for my edification. A large still life of his is priced at 3,000 euros in this week’s Viktoria Gallery auction.
The Gallery in Kazanluk has some of his art and others who painted there and seems to be well worth a visit. His grandson is also a painter.
Pencho Balkanski was born a year later in the Troyan area, lived until 1985 and came to painting only after he had established himself as a photographer. A 50x40 of his is going for 1,200 euros at the auction.

Sunday, March 27, 2011

Book on Bulgarian painters


When I was in Sofia in January 2011 I realised that there was a need for a booklet in English on modern Bulgarian painting. Nothing exists for the visitor - who could spend many pleasant hours (days) traversing the charming centre, visiting galleries, talking with the owners and painters – and, ultimately, buying. I had made a short list of the painters I knew – mainly as a checklist for my visits but which (if consulted surreptitiously) also gave me the air of a cognoscenti and therefore better treatment! My friend Yassen of Konus Gallery was very helpful in suggesting additional painters – what was 2 pages grew quickly to five. And I decided that, as I had the time and the passion, I might as well try to produce such a booklet – on the excellent principle that the best way to learn about a subject is to write a book about it. Of course, discovery is part of the pleasure – and too detailed a book would deny visitors that pleasure – so I don’t have to be ambitious.
It’s not too difficult to get pictures from the net - mainly from the Archives of the Victoria Gallery (which is holding another auction on 31 march – a particularly bumper one it looks) - but what is not so easy is to get some biographical detail.
If I’m lucky the Viktoria Gallery site (or the great Catalogue of the Sofia City Gallery) will give me the date and place of birth and death – and the artists under which the painter in question studies. If I’m very lucky, they will tell me that they spent a few years studying in Munich, Paris or France. But that’s all.
Having worked intensively on the subject in January and produced an outline of the sort of booklet I had in mind. I gave the matter a rest. I have more than a hundred names – and should start the preparation for the month I plan to spend in Sofia shortly. So perhaps a couple of entries a day will encourage my friends in Bulgaria to give me some feedback – and data?
What basically do I need to know? Dates; place of birth; influences; genre; price range, patrimony (how easy to export?)
Let me start with someone who arrived on my list only in January - Abadjiev (Petko) (1903-2004) who was a friend of Bulgaria’s greatest painter of the mid 20th century, Nikola Tanev (whose charming landscape paintings now fetch for about 10,000 euros). You can see a couple of Abadjiev’s paintings on the Viktoria Gallery site (a 25x20 oil can be had for 400 euros at the 31 March auction). So I’m missing quite a lot of info about him.
Alekov, Napoleon is an old favourite of mine (1912-2002). A seascape specialist, there are a fair number of his paintings available on the Viktoria site (a nice shipyard scene 50x40 went recently for only 350 euros). But that’s all I have on him.
The painting at the top of this post is a new artist for me – but very striking - Alexandrov (Zdravko) (1911-1999) This large (80x70) went for only 1,000 euros

UPDATE; On 24 April 2012 I duly lodged a 60 page booklet (and CD Rom with almost 1,000 pictures) with a young design team in Sofia and copies of the booklet are now available - try the Elephant Bookshop.

A year ago I was thinking about post-autistic public administration.
A lot has been recently about capacity development - a lot of it interesting and useful. But the best on the subject has just been issued - and focuses on the practitioner. Very helpful!

Thursday, March 24, 2011

Romanian DNA


On the Severin scam (the Romanian MEP and ex-Foreign Minister who (with an Austrian and a Slovene) sold himself to the lobbyists and is the only one of the 3 caught not to have resigned) I have only two comments. First, as I spelled out last year, the Romanian political class is built on such financial transactions and the marvel is that only one Romanian MEP was caught. The second comment is that Romanian politicians never resign! It’s not in the DNA.

Back in mountains – the stuff I’m reading about cultures is in order to understand the difficulties I have here. I can’t stand what I see as aggression – and I pick up so much of it here. And that affects the signals I send – a lot fewer positive ones than normal. A vicious circle ensues. So I face the prospect of leaving the country. A nice flat beckons in Sofia……where I hope to get underway with the book I want to put together about Bulgarian artists. My next post will be about that. Today's sketch has nothing to do with the Severin story - I am limited to one image per post and wanted to give a sense of Boris Angelushov (1902-1966) who was in Berlin in the early 1920s and was clearly influenced by the revolutionary events taking place then and by the powerful graphics of Kathe Kollwitz.
A year ago, I was writing about the soul-lessness of modern work

Wednesday, March 23, 2011

Hypocrisy


Hypocrisy is today’s theme! First the sheer level of it on display from Hilary Clinton who simply smirked when a quiet American 60 year old was forcibly ejected from her speech which was (believe it or not) celebrating protest – for the simple reason that he had his protest took the form of turning his back to her while she delivered her speech (the better for her to see the political slogan on his T-shirt!) It takes a high level of stupidity as well as hypocrisy on her part to be unable to appreciate the irony of all this.
Serendipity gave me yesterday a great book in the Anthony Frost English bookshop here in Bucharest – “Watching the English” by Kate Fox. It’s a highly amusing and extensive account by an anthropologist of the essence of Englishness. Her account of the various games and gambits of English introductions, for example, are quite priceless! Steadily, through her identification of the various rules and codes which govern such fields as work, play and sex she builds up a picture of what it is to be English. And “hypocrisy” crops up from time to time. Certainly the open and blunt talk of Americans (and the Dutch) is considered offensive..

Another good comment from the Real World Blog – this time about Adam Smithnot being the devotee of the market we are all led to believe.
Aand a Guardian discussion thread gives a good sense of how the British health service continues to be the subject of “reform” discourse – while still (attacked as it has been by successive governments) managing to show a lot of indices about efficiency!
The picture is Gillray's Mushromm on a dungheap!