what you get here

This is not a blog which expresses instant opinions on current events. It rather uses incidents, books (old and new), links and papers as jumping-off points for some reflections about our social endeavours.
So old posts are as good as new! And lots of useful links!

Thursday, November 3, 2011

Fiddling in Cannes (and Sofia) while Europe is burning

OK - I agree that fiddling while Athens is burning is not a good way to go down in history (the musical references in my last post). But perhaps, as Europe burns, the only resort is to celebrate what it has at least given in culture. Indeed I realised only yesterday that perhaps why I have, over the past decade, discovered and celebrated (beautiful) paintings is that they represent individual striving for excellence when that is so difficuly to achieve in the field I chose for myself all of 50 years ago when I made the fatal decision, in the middle of my university studies, to forsake the study of French and German and to choose instead the upcoming fields of Economics and Politics. When the shit hits the fan, another coping mechanism is humour and I was happy to come across these wry puns from a great British comic which actually remind me a bit of the vastly underrated Chic Murray from my own hometown.

However two leftists are redeeming my chosen field – today’s post from Cannes (where G20 countries are meeting) by Paul Mason blows my mind away as the most incisive comment on that is currently happening. And another old leftist - Stuart Holland whom I met in the mountain eyre of Erice (Sicily) in the mid 1970s at an (anarchist) Free University seminar – has an excellent paper which coherently spells out the path which European leaders should be taking – if they had any leadership skills.

I haven’t had time to read this article from Nouriel Roubini – but is seems worthwhile amongst all the dross from the usual business and economic commentators who are now exposed ar the brown-nosed charlatans they were.
The painting is a recent purchase of mine here - by Vladimir Dmitrov - which seems appropriately apocalytpic.

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